Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_Players_(2012)
|
| gptkbp:adaptation |
gptkb:film
musical adaptations |
| gptkbp:associated_act |
gptkb:5
|
| gptkbp:author |
gptkb:Educational_Institution
|
| gptkbp:character_development |
explores relationships
explores identity explores societal norms |
| gptkbp:critical_reception |
generally well-received
|
| gptkbp:cultural_impact |
influenced later comedies
|
| gptkbp:first_performance |
1594
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_context |
Elizabethan era
|
| https://www.w3.org/2000/01/rdf-schema#label |
La Commedia degli Errori
|
| gptkbp:influences |
gptkb:Italian_commedia_dell'arte
Roman comedy |
| gptkbp:inspiration |
gptkb:Plautus's_Menaechmi
|
| gptkbp:language |
English
|
| gptkbp:legacy |
adapted into various languages
considered one of Shakespeare's early works performed in schools and theaters inspired various adaptations and reinterpretations remains popular in modern theater |
| gptkbp:notable_character |
gptkb:Dromio_of_Syracuse
gptkb:Antipholus_of_Syracuse gptkb:Adriana gptkb:Antipholus_of_Ephesus gptkb:Dromio_of_Ephesus Luciana |
| gptkbp:notable_performance |
performed worldwide
|
| gptkbp:notable_quote |
" Am I in earth, in heaven, or in hell?"
" I am an ass, I am an ass!" " I see two husbands, or mine own eyes deceive me." " There's none but witches do inhabit here." " The Duke himself is in the house." |
| gptkbp:performance |
slapstick
farce |
| gptkbp:published_by |
1623
|
| gptkbp:setting |
gptkb:Ephesus
|
| gptkbp:symbolism |
the concept of duality
the idea of chaos the theme of order restored the use of twins |
| gptkbp:thematic_element |
gptkb:family
love reunion confusion |
| gptkbp:theme |
mistaken identity
|