|
gptkbp:instanceOf
|
novel
|
|
gptkbp:adaptation
|
film
theater
|
|
gptkbp:author
|
gptkb:Marcel_Proust
|
|
gptkbp:character
|
gptkb:Bergotte
gptkb:Saint-Loup
gptkb:Baron_de_Charlus
gptkb:M._de_Bréauté
gptkb:M._de_Villeparisis
gptkb:M._de_Charlus
gptkb:Robert_de_Saint-Loup
gptkb:Vinteuil
gptkb:Albertine
gptkb:M._Swann
gptkb:M._de_Guermantes
Marcel
Odette
Swann
Morel
Céleste
M. de Norpois
Françoise
Gilberte
|
|
gptkbp:characterDevelopment
|
complex
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:culturalImpact
|
adaptations
literary criticism
significant
scholarly analysis
influence on authors
|
|
gptkbp:followedBy
|
The Fugitive
|
|
gptkbp:genre
|
Literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Captive
|
|
gptkbp:influenced
|
modern literature
|
|
gptkbp:influencedBy
|
gptkb:Henri_Bergson
gptkb:Sigmund_Freud
Impressionism
|
|
gptkbp:language
|
French
|
|
gptkbp:mainCharacter
|
gptkb:Albertine_Simonet
|
|
gptkbp:narrativeStyle
|
stream of consciousness
|
|
gptkbp:notableQuote
|
"The only thing that matters is the past."
|
|
gptkbp:partOf
|
gptkb:In_Search_of_Lost_Time
|
|
gptkbp:precededBy
|
gptkb:The_Prisoner
|
|
gptkbp:releaseYear
|
1928
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:symbolism
|
freedom
identity
captivity
|
|
gptkbp:theme
|
love
memory
jealousy
|
|
gptkbp:translatedInto
|
gptkb:Spanish
English
German
Italian
Portuguese
|