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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:theater_productions
|
|
gptkbp:adapted_into
|
gptkb:Television_producer
radio plays
|
|
gptkbp:characterized_by
|
lack of plot
non-linear dialogue
repetitive conversations
|
|
gptkbp:critical_reception
|
initially mixed reviews
later regarded as a classic
|
|
gptkbp:cultural_impact
|
pioneering work in absurdist theatre
|
|
gptkbp:cultural_significance
|
exploration of existential themes
reflection of post-war disillusionment
|
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gptkbp:first_performance
|
gptkb:Paris
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gptkbp:genre
|
absurdist theatre
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|
https://www.w3.org/2000/01/rdf-schema#label
|
La Cantatrice Chauve
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gptkbp:influenced
|
gptkb:theatre_of_the_absurd
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
gptkb:Surrealism
existential philosophy
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|
gptkbp:inspired
|
numerous playwrights
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_awards
|
various theatre awards
recognition in avant-garde theatre
|
|
gptkbp:notable_characters
|
gptkb:Mary
gptkb:Mr._Smith
Mrs. Smith
the Fire Chief
Dr. Parpalaid
|
|
gptkbp:notable_performances
|
international tours
revivals in major cities
|
|
gptkbp:notable_quote
|
" We are not in a play, we are in a reality."
" It is not the words that matter, but the silence between them."
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|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performance_style
|
minimalist set design
emphasis on dialogue
|
|
gptkbp:performed_in
|
theatres worldwide
|
|
gptkbp:premiered_on
|
1950
|
|
gptkbp:published_in
|
1950
|
|
gptkbp:setting
|
a living room in a house in England
|
|
gptkbp:style
|
absurdist comedy
|
|
gptkbp:symbolism
|
absurdity of human existence
banality of everyday life
|
|
gptkbp:themes
|
communication breakdown
|
|
gptkbp:written_by
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gptkb:Eugène_Ionesco
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gptkbp:bfsParent
|
gptkb:Comédie-Française
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gptkbp:bfsLayer
|
5
|