|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:action
|
Two acts
|
|
gptkbp:adaptation
|
gptkb:Film_adaptations
|
|
gptkbp:character_development
|
Strong female lead
|
|
gptkbp:composer
|
gptkb:Gioachino_Rossini
|
|
gptkbp:critical_reception
|
Generally positive
|
|
gptkbp:cultural_impact
|
Influence on later operas
|
|
gptkbp:cultural_references
|
Referenced in literature
Referenced in films
Referenced in music
|
|
gptkbp:cultural_significance
|
Part of Rossini's repertoire
|
|
gptkbp:famous_event
|
gptkb:Rossini_Opera_Festival
|
|
gptkbp:genre
|
comic opera
|
|
gptkbp:historical_context
|
Early 19th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
L'italiana in Algeri
|
|
gptkbp:influence
|
gptkb:Italian_opera_buffa
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:librettist
|
gptkb:Cesare_Sterbini
|
|
gptkbp:main_character
|
gptkb:Isabella
Mustafa
Lindoro
Taddeo
|
|
gptkbp:music_composer
|
gptkb:Vienna_Philharmonic
|
|
gptkbp:music_style
|
Bel canto
|
|
gptkbp:notable_aria
|
Pensa alla patria
|
|
gptkbp:notable_collaborations
|
Dunque io son
|
|
gptkbp:notable_conductors
|
gptkb:Riccardo_Muti
|
|
gptkbp:notable_performers
|
gptkb:Juan_Diego_Flórez
gptkb:Diana_Damrau
gptkb:Alessandro_Corbelli
|
|
gptkbp:notable_production
|
gptkb:La_Scala
gptkb:Royal_Opera_House
gptkb:opera
|
|
gptkbp:notable_song
|
Chorus of men
Chorus of women
|
|
gptkbp:performance_tradition
|
Regularly performed
|
|
gptkbp:plot_summary
|
A woman outsmarts her captor
|
|
gptkbp:premiere_date
|
1813-05-22
|
|
gptkbp:recordings
|
gptkb:Various_artists
|
|
gptkbp:setting
|
gptkb:Algiers
|
|
gptkbp:thematic_element
|
gptkb:Love
gptkb:Deception
Cultural clash
|
|
gptkbp:bfsParent
|
gptkb:Anna_Moffo
gptkb:Giovanni_Paisiello
gptkb:Dmitry_Hvorostovsky
gptkb:Gioachino_Rossini
|
|
gptkbp:bfsLayer
|
5
|