gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:theater
|
gptkbp:adaptation_year
|
gptkb:1960
|
gptkbp:author
|
gptkb:Jean-Paul_Sartre
|
gptkbp:awards
|
gptkb:none
|
gptkbp:character_arc
|
gptkb:transformation
redemption
|
gptkbp:character_development
|
gptkb:complex
|
gptkbp:character_motivation
|
self-interest
|
gptkbp:character_relationships
|
gptkb:moral_ambiguity
societal expectations
interpersonal dynamics
|
gptkbp:conflict
|
internal conflict
|
gptkbp:critical_analysis
|
extensive
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
gptkb:significant
|
gptkbp:cultural_references
|
French culture
|
gptkbp:element
|
the opportunist
|
gptkbp:film_editing
|
L' Opportuniste (film)
|
gptkbp:genre
|
gptkb:philosophy
|
gptkbp:historical_context
|
gptkb:post-war_France
|
https://www.w3.org/2000/01/rdf-schema#label
|
L' Opportuniste
|
gptkbp:influence
|
existential philosophy
Sartre's philosophy
|
gptkbp:influenced
|
gptkb:French_literature
|
gptkbp:influenced_artists
|
gptkb:French_existentialists
|
gptkbp:influenced_by
|
gptkb:World_War_II
gptkb:Marxism
|
gptkbp:isbn
|
978-2070368224
|
gptkbp:language
|
gptkb:French
|
gptkbp:literary_significance
|
important work
|
gptkbp:main_character
|
M. de la Villehervé
|
gptkbp:motif
|
opportunism
|
gptkbp:narrative
|
first-person
|
gptkbp:narrative_style
|
stream of consciousness
metafiction
|
gptkbp:narrative_theme
|
alienation
|
gptkbp:page_count
|
320
|
gptkbp:plot
|
non-linear
|
gptkbp:published_in
|
1946
|
gptkbp:publisher
|
gptkb:Gallimard
|
gptkbp:reader_demographic
|
adults
|
gptkbp:series
|
gptkb:Les_Éditions_de_Minuit
|
gptkbp:setting
|
gptkb:France
|
gptkbp:setting_time
|
post-war era
|
gptkbp:style
|
philosophical exploration
|
gptkbp:symbolism
|
gptkb:the_city_of_Paris
|
gptkbp:thematic_element
|
human condition
|
gptkbp:theme
|
gptkb:existentialism
|
gptkbp:themes
|
freedom and choice
|
gptkbp:translated_into
|
English
|
gptkbp:bfsParent
|
gptkb:Les_Vieilles_Canailles
gptkb:Indochine
|
gptkbp:bfsLayer
|
5
|