Statements (70)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Les_Films_Marcel_L'_Herbier
gptkb:Marcel_L'_Herbier |
| gptkbp:art_style |
gptkb:A._M._M._de_la_Falaise
Highly stylized and artistic. |
| gptkbp:audience |
Cult following.
|
| gptkbp:awards |
None.
|
| gptkbp:box_office |
Notable for its artistic style rather than commercial success.
|
| gptkbp:cast |
gptkb:Mireille_Balin
gptkb:Gaston_Modot Georges Melchior Florelle |
| gptkbp:character_arc |
Protagonist's transformation.
|
| gptkbp:character_development |
Focuses on the protagonist's emotional journey.
|
| gptkbp:character_relationships |
Complex interactions between characters.
|
| gptkbp:cinematography |
gptkb:Albert_Duverger
Albert Duverger. Innovative camera techniques. |
| gptkbp:color |
black and white
|
| gptkbp:country |
gptkb:Monarch
|
| gptkbp:critical_reception |
Mixed reviews upon release.
|
| gptkbp:cultural_impact |
Influenced filmmakers and artists.
|
| gptkbp:cultural_references |
Referenced in various media.
|
| gptkbp:cultural_significance |
Considered a classic of French cinema.
|
| gptkbp:design |
Innovative for its time.
|
| gptkbp:director |
gptkb:Marcel_L'_Herbier
|
| gptkbp:editor |
gptkb:Marcel_L'_Herbier
Marcel L' Herbier. |
| gptkbp:film_festival |
Screened at various film festivals.
|
| gptkbp:filmography |
gptkb:Marcel_L'_Herbier
Analyzed for its artistic merit. Part of Marcel L' Herbier's body of work. Use of special effects. |
| gptkbp:genre |
gptkb:Author
|
| gptkbp:has_cameo |
Features cameos by notable figures.
|
| gptkbp:historical_context |
Reflects the post-World War I era.
|
| gptkbp:historical_significance |
Represents a key moment in French cinema.
|
| https://www.w3.org/2000/01/rdf-schema#label |
L' Inhumaine
|
| gptkbp:influenced_by |
Modernism.
Surrealism. Dadaism. Futurism. Avant-garde cinema. |
| gptkbp:influences |
gptkb:German_Expressionism
|
| gptkbp:inspiration |
The film was inspired by the avant-garde movement.
|
| gptkbp:is_criticized_for |
Subject of various critical essays.
|
| gptkbp:language |
gptkb:French
Notable for its philosophical themes. |
| gptkbp:legacy |
Continues to inspire filmmakers.
Influenced later science fiction films. |
| gptkbp:music |
gptkb:Arthur_Honegger
|
| gptkbp:notable_appearance |
Famous for its dream sequences.
|
| gptkbp:notable_artists |
A. M. M. de la Falaise.
|
| gptkbp:notable_production |
Marcel L' Herbier.
|
| gptkbp:plot |
A futuristic story about a woman who is a scientist and her relationships.
|
| gptkbp:production_company |
gptkb:Les_Films_Marcel_L'_Herbier
|
| gptkbp:release_date |
1924-10-01
|
| gptkbp:release_year |
1924
|
| gptkbp:remake |
No known remakes.
|
| gptkbp:restoration |
Efforts to preserve the film.
Restored by film preservation societies. Restored in the 21st century. |
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenings |
Screened in various retrospectives.
|
| gptkbp:screenplay_by |
gptkb:Marcel_L'_Herbier
|
| gptkbp:soundtrack |
Notable for its innovative use of music.
|
| gptkbp:themes |
Exploration of human emotion.
Isolation and technology. |
| gptkbp:writer |
Marcel L' Herbier.
|