gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:French
gptkb:1986
gptkb:film
1900
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gptkbp:art_movement
|
Naturalism
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gptkbp:author
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gptkb:Émile_Zola
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gptkbp:cast
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gptkb:Jean-Pierre_Dardenne
gptkb:Gaston_Ravel
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gptkbp:character_development
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Gervaise's decline
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gptkbp:conflict
|
social issues
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gptkbp:critical_reception
|
well-received
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gptkbp:cultural_impact
|
gptkb:significant
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gptkbp:followed_by
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gptkb:Nana
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gptkbp:genre
|
naturalism
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gptkbp:historical_context
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gptkb:Second_Empire_France
|
https://www.w3.org/2000/01/rdf-schema#label
|
L' Assommoir
|
gptkbp:influence
|
gptkb:Politician
subsequent authors
|
gptkbp:inspiration
|
Zola's observations
|
gptkbp:is_criticized_for
|
class struggle
|
gptkbp:isbn
|
978-2070368220
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gptkbp:language
|
gptkb:French
|
gptkbp:main_character
|
gptkb:Gervaise_Macquart
working-class woman
|
gptkbp:motif
|
gptkb:festival
failure
despair
|
gptkbp:narrative_style
|
realism
|
gptkbp:notable_quote
|
" Despair is the only truth."
" Hope is a dangerous thing."
" Life is a struggle."
" She was a woman of the people."
" The world is a bar."
|
gptkbp:page_count
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400
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gptkbp:part_of
|
gptkb:Les_Rougon-Macquart
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gptkbp:preceded_by
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gptkb:L'Œuvre
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gptkbp:published_by
|
1877
|
gptkbp:publisher
|
gptkb:Charpentier
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gptkbp:setting
|
gptkb:Paris
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gptkbp:symbolism
|
the working class
the city
the bar
|
gptkbp:theme
|
gptkb:philosopher
alcoholism
poverty
|
gptkbp:bfsParent
|
gptkb:Emile_Zola
gptkb:Émile_Zola
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gptkbp:bfsLayer
|
4
|