Properties (46)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film
opera stage play television |
| gptkbp:associatedWith |
Agnes_and_Horace
Arnolphe_and_Agnes Arnolphe_and_Horace |
| gptkbp:character |
fool
feminine protagonist manipulative guardian |
| gptkbp:criticalReception |
controversial
|
| gptkbp:culturalImpact |
reflected societal norms
influenced theatrical conventions inspired discussions on women's rights explored themes of autonomy examined marriage dynamics |
| gptkbp:culturalSignificance |
critique of patriarchy
|
| gptkbp:filmingLocation |
gptkb:Théâtre_du_Palais-Royal
|
| gptkbp:genre |
comedy
|
| gptkbp:hasPerformance |
1662
|
| gptkbp:historicalContext |
17th century France
|
| https://www.w3.org/2000/01/rdf-schema#label |
L'École des Femmes
|
| gptkbp:influence |
gptkb:French_theatre
|
| gptkbp:influenceOn |
modern comedy
feminist literature |
| gptkbp:inspiration |
Molière's_life_experiences
|
| gptkbp:language |
French
|
| gptkbp:mainCharacter |
gptkb:Arnolphe
Agnes |
| gptkbp:notableFeature |
Molière's troupe
revivals in the 20th century international adaptations |
| gptkbp:notableQuote |
"Il faut qu'une femme soit soumise"
|
| gptkbp:officialLanguage |
French
|
| gptkbp:performance |
French_classical_theatre
|
| gptkbp:plot |
social commentary
deception love triangle |
| gptkbp:publishedIn |
1663
|
| gptkbp:setting |
gptkb:Paris
|
| gptkbp:style |
farce
|
| gptkbp:theme |
education
marriage gender roles |
| gptkbp:wrote |
gptkb:Molière
|