Statements (145)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poetry
gptkb:historical_figure |
| gptkbp:adaptations |
gptkb:musical_composition
gptkb:films gptkb:artworks |
| gptkbp:adapted_into |
into music
|
| gptkbp:analysis |
symbolism
the role of the poet the concept of the sublime themes of power often analyzed for its structure the use of historical references the use of narrative techniques the use of metaphor themes of creativity often analyzed for its themes the use of imagery the use of vivid imagery dream vs. reality the use of thematic contrasts the use of meter and rhyme the use of assonance the use of personification often analyzed for its imagery the use of mythological references the use of alliteration the use of simile themes of nature vs. civilization the use of contrasting images the use of caesura the use of emotional references the use of enjambment the use of hyperbole the use of philosophical references the use of poetic devices the use of psychological references the use of sensory details the use of symbolism in nature |
| gptkbp:author |
gptkb:Samuel_Taylor_Coleridge
Samuel Taylor Coleridge was a literary critic Samuel Taylor Coleridge was a philosopher Samuel Taylor Coleridge was a poet Samuel Taylor Coleridge was a member of the Lake Poets |
| gptkbp:born_in |
gptkb:1215
|
| gptkbp:contains |
supernatural elements
|
| gptkbp:contains_song |
gptkb:3
irregular |
| gptkbp:critical_reception |
mixed
mixed reviews |
| gptkbp:criticism |
subject to various interpretations
considered a fragmentary work debated for its coherence |
| gptkbp:cultural_impact |
inspired various adaptations
inspired adaptations referenced in literature referenced in music referenced in film |
| gptkbp:cultural_references |
gptkb:theater
gptkb:visual_arts gptkb:literature gptkb:popular_culture gptkb:music |
| gptkbp:depicted_in |
Samuel Taylor Coleridge's poem
|
| gptkbp:depicts |
a pleasure dome
|
| gptkbp:descendant |
gptkb:Borjigin_clan
|
| gptkbp:died_in |
1294
|
| gptkbp:established |
the Yuan dynasty
|
| gptkbp:evokes |
nature's beauty
|
| gptkbp:expansion |
gptkb:the_Mongol_Empire
|
| gptkbp:explores |
the power of dreams
|
| gptkbp:famous_quote |
In Xanadu did Kubla Khan
|
| gptkbp:features |
a river
|
| gptkbp:form |
gptkb:poetry
|
| gptkbp:founded |
the city of Khanbaliq
|
| gptkbp:genre |
Romantic poetry
|
| gptkbp:grandparent |
gptkb:Genghis_Khan
|
| gptkbp:had_a_famous_summer_palace_called |
gptkb:Shangdu
|
| gptkbp:has_reception |
initially received mixed reviews
considered a classic of English literature later became highly regarded |
| gptkbp:has_units |
varied
|
| gptkbp:historical_context |
reflects Romantic era ideals
published in 1816 written in 1797 |
| https://www.w3.org/2000/01/rdf-schema#label |
Kubla Khan
|
| gptkbp:influence |
gptkb:literature
influenced modern poetry influenced romanticism influenced surrealism |
| gptkbp:influence_on |
modern poetry
|
| gptkbp:influenced_by |
gptkb:William_Wordsworth
gptkb:John_Keats Samuel Taylor Coleridge's opium-induced dream |
| gptkbp:inspiration |
opium dream
|
| gptkbp:inspired_by |
gptkb:dreams
opium dream |
| gptkbp:is_analyzed_in |
gptkb:literary_criticism
for its symbolism |
| gptkbp:is_associated_with |
the phrase 'pleasure dome'
|
| gptkbp:is_available_in |
public domain
|
| gptkbp:is_cited_in |
in discussions of Romanticism
|
| gptkbp:is_compared_to |
reality and fantasy
|
| gptkbp:is_considered |
a fragmentary poem
a key text in English literature. |
| gptkbp:is_famous_for |
its opening lines
|
| gptkbp:is_part_of |
the Romantic movement
|
| gptkbp:is_regarded_as |
one of Coleridge's masterpieces
|
| gptkbp:is_set_in |
gptkb:the_Mongolian_Empire
|
| gptkbp:is_studied_in |
in English literature courses
|
| gptkbp:language |
English
|
| gptkbp:length |
54 lines
|
| gptkbp:line |
In Xanadu did Kubla Khan
|
| gptkbp:notable_artist |
gptkb:river
gptkb:gardens sacred river caverns pleasure dome |
| gptkbp:notable_for |
its vivid imagery
its dreamlike quality |
| gptkbp:notable_ruler |
gptkb:the_Mongol_Empire
|
| gptkbp:number_of_lines |
54
|
| gptkbp:part_of |
Coleridge's larger work
|
| gptkbp:published_after_death |
gptkb:Coleridge
|
| gptkbp:published_by |
gptkb:John_Murray
|
| gptkbp:published_in |
gptkb:The_New_Monthly_Magazine
1816 |
| gptkbp:related_to |
gptkb:The_Rime_of_the_Ancient_Mariner
|
| gptkbp:ruled |
gptkb:China
|
| gptkbp:setting |
gptkb:Xanadu
|
| gptkbp:structure |
fragmentary
|
| gptkbp:theme |
gptkb:dreams
nature imagination |
| gptkbp:themes |
gptkb:dreams
nature imagination |
| gptkbp:translated_into |
into multiple languages
|
| gptkbp:was_a_patron_of |
the arts
|
| gptkbp:was_influenced_by |
Chinese culture
|
| gptkbp:was_involved_in |
the Silk Road trade
|
| gptkbp:was_known_for |
his cultural achievements
|
| gptkbp:written_by |
gptkb:Samuel_Taylor_Coleridge
|
| gptkbp:written_in |
1797
|
| gptkbp:bfsParent |
gptkb:Samuel_Taylor_Coleridge
|
| gptkbp:bfsLayer |
4
|