Statements (64)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:available_on |
on various recordings
|
| gptkbp:characterized_by |
complex rhythms
|
| gptkbp:composed_by |
reflects Xenakis's philosophy
utilizes spatialization techniques |
| gptkbp:composer |
gptkb:György_Ligeti
gptkb:Iannis_Xenakis |
| gptkbp:critical_reception |
widely acclaimed by music critics
|
| gptkbp:dedicated_to |
the memory of a friend
the memory of the victims of the Holocaust |
| gptkbp:duration |
approximately 20 minutes
approximately 30 minutes |
| gptkbp:explores |
the relationship between sound and space
|
| gptkbp:features |
tape manipulation
|
| gptkbp:genre |
electronic music
|
| gptkbp:has_influenced |
many contemporary composers
|
| https://www.w3.org/2000/01/rdf-schema#label |
Kraanerg
|
| gptkbp:influenced |
contemporary classical music composers
|
| gptkbp:influenced_by |
gptkb:Mathematics
|
| gptkbp:influences |
post-war avant-garde music
|
| gptkbp:inspired_by |
the concept of chaos
|
| gptkbp:instrumentation |
orchestra and tape
large orchestra and tape |
| gptkbp:is_a_subject_of |
musicological research
|
| gptkbp:is_a_work_that |
challenges traditional forms
explores sound as a physical phenomenon |
| gptkbp:is_analyzed_in |
in musicology studies
|
| gptkbp:is_associated_with |
the avant-garde movement
|
| gptkbp:is_considered |
a landmark in electronic music
|
| gptkbp:is_featured_in |
in documentaries about music
|
| gptkbp:is_known_for |
its innovative structure
|
| gptkbp:is_noted_for |
its dynamic contrasts
|
| gptkbp:is_often_described_as |
a sonic experience
|
| gptkbp:is_part_of |
the repertoire of modern orchestras
|
| gptkbp:is_recognized_as |
for its artistic significance
|
| gptkbp:is_significant_for |
in the field of electroacoustic music
|
| gptkbp:is_studied_in |
in academic settings
|
| gptkbp:notable_examples |
Xenakis's innovative approach to music.
|
| gptkbp:notable_feature |
use of electronic sounds
|
| gptkbp:notable_for |
its use of stochastic processes
|
| gptkbp:notable_performance |
at the 1971 Donaueschingen Music Festival
|
| gptkbp:number_of_pieces |
invites interpretation
|
| gptkbp:number_of_stages |
gptkb:orchestra
|
| gptkbp:often_includes |
in concert programs
|
| gptkbp:part_of |
Xenakis's larger body of work
|
| gptkbp:performance |
performed by various orchestras worldwide
|
| gptkbp:performed_by |
various orchestras
|
| gptkbp:performed_in |
in contemporary music festivals
by specialized ensembles |
| gptkbp:premiere |
gptkb:1970
gptkb:1971 |
| gptkbp:recorded_by |
various labels
|
| gptkbp:recordings |
available on various classical music labels
|
| gptkbp:related_works |
other compositions by György Ligeti
|
| gptkbp:significance |
exploration of sound texture
|
| gptkbp:style |
avant-garde
|
| gptkbp:uses |
live electronics
|
| gptkbp:uses_technology |
to create soundscapes
|
| gptkbp:year |
gptkb:1971
|
| gptkbp:year_composed |
gptkb:1968
|
| gptkbp:bfsParent |
gptkb:Iannis_Xenakis
gptkb:Xenakis'_music gptkb:Xenakis |
| gptkbp:bfsLayer |
5
|