Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
theatre productions
|
| gptkbp:adaptedInto |
film adaptations
radio plays |
| gptkbp:associatedWith |
complex
|
| gptkbp:audience |
thought-provoking
|
| gptkbp:character |
the Hen
the_Blacksmith the_Miller |
| gptkbp:characterDevelopment |
symbolic
|
| gptkbp:conflict |
internal conflict
external conflict |
| gptkbp:criticalReception |
well-received
|
| gptkbp:culturalImpact |
Scottish_theatre
|
| gptkbp:culturalSignificance |
power relations
gender discussions Scottish_identity |
| gptkbp:description |
rich and layered
|
| gptkbp:explores |
human relationships
rural life themes of freedom existential themes themes of oppression themes of choice |
| gptkbp:genre |
drama
|
| gptkbp:hasPerformance |
the_Traverse_Theatre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Knives in Hens
|
| gptkbp:influenced |
contemporary playwrights
|
| gptkbp:influencedBy |
existentialism
absurdism theatre of the absurd |
| gptkbp:influences |
Scottish_culture
|
| gptkbp:inspiredBy |
gptkb:Scottish_folklore
|
| gptkbp:language |
English
poetic |
| gptkbp:length |
one act
|
| gptkbp:narrativeStyle |
non-linear
|
| gptkbp:notableFeature |
gptkb:Scottish_Arts_Council_Award
|
| gptkbp:performances |
intimate
|
| gptkbp:performedBy |
gptkb:Edinburgh_Festival_Fringe
various countries |
| gptkbp:premieredOn |
1995
|
| gptkbp:publishedBy |
gptkb:Nick_Hern_Books
|
| gptkbp:setting |
rural_Scotland
|
| gptkbp:structureType |
three characters
|
| gptkbp:style |
minimalist
|
| gptkbp:symbolism |
hens
knives the mill |
| gptkbp:thematicElement |
social commentary
philosophical inquiry psychological exploration |
| gptkbp:theme |
identity
power dynamics gender roles |
| gptkbp:translatedInto |
multiple languages
|
| gptkbp:wrote |
gptkb:David_Harrower
|