|
gptkbp:instance_of
|
gptkb:painting
gptkb:artwork
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Yoshitomo_Nara
|
|
gptkbp:art_movement
|
gptkb:church
|
|
gptkbp:art_style
|
abstract
two-dimensional
political commentary
layering
social critique
varied interpretations
assemblage
recognized in art history
collage art
anti-art
ready-made objects
Dadaism in Europe
Kurt Schwitters' identity
collage layering
exploration of materials.
|
|
gptkbp:artist
|
gptkb:Kurt_Schwitters
Artist C
|
|
gptkbp:artistic_influence
|
gptkb:Futurism
influenced future artists
|
|
gptkbp:artistic_legacy
|
influence on contemporary collage
|
|
gptkbp:artwork
|
gptkb:newspaper
found materials
|
|
gptkbp:aspect_ratio
|
16:9
|
|
gptkbp:audience
|
7.5/10
|
|
gptkbp:awards
|
Best Independent Film
Award 1
Award 2
Best Drama Award
|
|
gptkbp:based_on
|
Original Story by Author A
|
|
gptkbp:box_office
|
gptkb:$5_million
gptkb:unknown
$200,000
$500,000
$1 million
|
|
gptkbp:budget
|
gptkb:unknown
$1 million
$50,000
|
|
gptkbp:cast
|
gptkb:Kathy_Long
gptkb:Cynthia_Rothrock
gptkb:Jane_Smith
gptkb:unknown
gptkb:John_Doe
gptkb:Kurt_Angle
gptkb:Michael_Woods
gptkb:John_Brown
gptkb:Katherine_Kelly_Lang
gptkb:Jane_Roe
gptkb:Michael_Madsen
gptkb:Derek_Mears
gptkb:Diane_Farr
gptkb:Michael_J._O'_Connor
gptkb:David_J._O'_Neill
gptkb:Diana_Lee_Inosanto
gptkb:David_J._Smith
gptkb:Robert_Z'_Dar
TBA
Actor A
Actor B
Actor C
Actor D
Actor E
Katherine D. Smith
Kerry Ann Mc Kibbin
|
|
gptkbp:character
|
gptkb:Tom
gptkb:Detective
gptkb:David
gptkb:Lisa
gptkb:Megan
gptkb:Sarah
gptkb:Police_Department
gptkb:John
gptkb:Detective_Lee
gptkb:Angela
gptkb:Mysterious_Stranger
gptkb:memorial
gptkb:Character_A
gptkb:Character_B
gptkb:Character_C
Officer Davis
|
|
gptkbp:character_appearance
|
Designer B
|
|
gptkbp:cinematography
|
gptkb:Emily_White
gptkb:Jane_Doe
gptkb:Michael_J._Murphy
gptkb:Robert_White
gptkb:Michael_J._O'_Connor
TBA
Cinematographer Y
|
|
gptkbp:collaborations
|
collaborated with other Dada artists
|
|
gptkbp:collection
|
gptkb:soundtrack
Schwitters Collection
|
|
gptkbp:color
|
gptkb:color
vibrant colors
earth tones
|
|
gptkbp:composer
|
gptkb:Michael_Green
gptkb:Alice_Johnson
gptkb:Michael_J._Murphy
gptkb:David_C._Williams
gptkb:Composer_X
TBA
|
|
gptkbp:country
|
gptkb:USA
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:created
|
gptkb:1999
|
|
gptkbp:created_by
|
gptkb:Maya_Lin
gptkb:Yoshitomo_Nara
gptkb:Jesse_Bransford
|
|
gptkbp:critical_reception
|
Mixed reviews
Positive
Positive reviews
mixed reviews
well-received
|
|
gptkbp:cultural_significance
|
gptkb:post-World_War_II_art
|
|
gptkbp:design
|
Designer A
|
|
gptkbp:dimensions
|
Variable
30 x 40 inches
100 x 80 cm
50 x 70 cm
|
|
gptkbp:director
|
gptkb:unknown
gptkb:John_Doe
gptkb:Michael_J._Murphy
gptkb:Michael_J._O'_Connor
|
|
gptkbp:distributor
|
gptkb:football_club
gptkb:XYZ_Films
gptkb:ABC_Films
TBA
Indie Rights
Distributor A
Distributor 1
Murphy's Movies
|
|
gptkbp:edited_by
|
gptkb:Tom_Brown
gptkb:Michael_J._O'_Connor
|
|
gptkbp:editor
|
gptkb:Michael_J._Murphy
gptkb:Robert_Black
gptkb:Emily_Green
gptkb:Michael_J._O'_Connor
TBA
Editor Z
|
|
gptkbp:exhibited_at
|
gptkb:music_festival
gptkb:document
|
|
gptkbp:exhibition
|
New York Art Scene
high value
Maya Lin: A History of the Future
Kurt Schwitters Retrospective
2000, Yokohama
2001, Berlin
2002, New York
2003, London
2004, Paris
|
|
gptkbp:features
|
abstract forms
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_Film_Festival
Festival A
Festival B
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
gptkb:Wales
Location 1
Location 2
Location 3
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
|
|
gptkbp:historical_context
|
gptkb:government_agency
|
|
gptkbp:home_media_release
|
DVD release in 2001
Blu-ray release in 2010
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Knife Behind Back
|
|
gptkbp:influence
|
gptkb:Monarch
|
|
gptkbp:influenced_artists
|
gptkb:Marcel_Duchamp
gptkb:Robert_Rauschenberg
|
|
gptkbp:influenced_by
|
gptkb:sports_team
surrealism
|
|
gptkbp:influences
|
gptkb:Minimalism
Japanese pop culture
Western art
|
|
gptkbp:innovation
|
pioneered collage techniques
|
|
gptkbp:inspiration
|
response to war
|
|
gptkbp:inspired_by
|
gptkb:Artist
personal experiences
|
|
gptkbp:is_a
|
gptkb:artwork
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Museum_of_Modern_Art
gptkb:Smithsonian_American_Art_Museum
Private Collection
private collection
|
|
gptkbp:main_character
|
gptkb:Detective
|
|
gptkbp:medium
|
gptkb:Mixed_media
collage
mixed media
acrylic on wood
Acrylic on wood
|
|
gptkbp:music_by
|
gptkb:Michael_J._Murphy
gptkb:John_E._Smith
gptkb:Michael_J._O'_Connor
gptkb:David_J._Smith
|
|
gptkbp:narrative_style
|
storytelling through imagery
|
|
gptkbp:notable_appearance
|
The confrontation scene
The emotional climax
The final twist
The closing scene
The reveal of the antagonist
|
|
gptkbp:notable_feature
|
use of found objects
|
|
gptkbp:plot
|
A woman is caught in a web of deceit and betrayal.
A group of friends encounter a supernatural entity.
A suspenseful story about betrayal and revenge.
A story of betrayal and revenge.
|
|
gptkbp:plot_summary
|
A story about betrayal and revenge.
A gripping tale of betrayal.
|
|
gptkbp:premiere
|
gptkb:film_festival
Film Festival 2004
|
|
gptkbp:producer
|
gptkb:XYZ_Productions
gptkb:Michael_J._O'_Connor
|
|
gptkbp:production_company
|
gptkb:Murphy_Productions
gptkb:Independent
gptkb:unknown
gptkb:XYZ_Productions
gptkb:Maverick_Entertainment_Group
Independent Film Company
Production Co 1
Murphy's Movies
Production House 1
O' Connor Productions
|
|
gptkbp:production_years
|
March 15, 1999
June 30, 1999
|
|
gptkbp:rating
|
gptkb:R
PG-13
Not Rated
75/100
|
|
gptkbp:related_works
|
gptkb:Merzbau
|
|
gptkbp:release_date
|
2008-01-01
January 1, 2000
January 15, 2002
October 31, 2016
January 1, 2004
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:release_year
|
gptkb:2000
gptkb:2002
gptkb:2004
gptkb:2005
gptkb:2006
gptkb:2008
gptkb:2009
gptkb:2014
gptkb:2016
gptkb:2018
gptkb:2022
|
|
gptkbp:runtime
|
gptkb:unknown
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jane_Smith
gptkb:Michael_J._Murphy
gptkb:Michael_J._O'_Connor
gptkb:Michael_Black
Screenplay by Jane Smith
|
|
gptkbp:sequel
|
Knife Behind Back 2
|
|
gptkbp:setting
|
small town
|
|
gptkbp:sound
|
gptkb:musician
|
|
gptkbp:soundtrack
|
gptkb:Knife_Behind_Back_Soundtrack
Soundtrack Album 1
Soundtrack Album 2
|
|
gptkbp:starring
|
Actor A
Actor B
Actor C
|
|
gptkbp:style
|
gptkb:Dada
Contemporary art
contemporary
|
|
gptkbp:subject
|
violence
|
|
gptkbp:symbolism
|
gptkb:betrayal
knife as a symbol
|
|
gptkbp:technique
|
mixed media
layering
cutting and pasting
|
|
gptkbp:theme
|
gptkb:Revenge
gptkb:Police_Department
gptkb:Community_Center
gptkb:Trust
gptkb:Betrayal
gptkb:military_conflict
gptkb:legal_case
Trust Issues
Family Conflict
war and conflict
|
|
gptkbp:themes
|
absurdity
identity and memory
|
|
gptkbp:trailer
|
Official Trailer 1
|
|
gptkbp:trivia
|
Filmed in 30 days.
Inspired by true events.
Filmed in various locations.
The film has a cult following.
Features a cameo by a famous actor.
The film was shot on a low budget.
Has a cult following.
The lead actress performed her own stunts.
Features a cameo by Director.
Features a strong female lead.
The script went through multiple revisions.
The film was controversial upon release.
The film's title is a metaphor.
The director is known for indie films.
Contains a plot twist.
Shot in 16mm.
Originally titled ' Backstabber'.
Won Best Indie Film.
|
|
gptkbp:visual_effects
|
Effects Company 1
|
|
gptkbp:website
|
www.knifebehindback.com
|
|
gptkbp:writer
|
gptkb:Jane_Smith
gptkb:unknown
gptkb:Alice_Johnson
gptkb:Michael_J._O'_Connor
|
|
gptkbp:year_created
|
gptkb:1940
gptkb:1990
gptkb:2000
gptkb:2010
|