Statements (78)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:William_Friedkin
gptkb:Tracy_Letts gptkb:Toronto_International_Film_Festival_2011 |
| gptkbp:based_on |
play by Tracy Letts
|
| gptkbp:box_office |
$2.5 million
|
| gptkbp:budget |
$10 million
|
| gptkbp:cinematography |
gptkb:Caleb_Deschanel
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:directed_by |
gptkb:William_Friedkin
|
| gptkbp:edited_by |
Greg Hayden
|
| gptkbp:genre |
gptkb:film
black comedy |
| gptkbp:has_theme |
gptkb:physicist
gptkb:betrayal gptkb:greed gptkb:moral_ambiguity gptkb:survival gptkb:Police_Department gptkb:Saint morality chaos trust issues violence family loyalty moral dilemmas manipulation power dynamics dark humor survival instincts consequences family dynamics unpredictable outcomes loss of control moral conflict family dysfunction desperation confrontation consequences of greed moral decay psychological tension unexpected twists extreme situations intense relationships dark secrets extreme measures family betrayal dark comedy elements desperation for survival dark humor in tragedy dark motivations desperation for money desperation leading to violence family ties under pressure moral ambiguity in choices survival at any cost twisted loyalty unethical decisions unraveling relationships unraveling sanity unraveling sanity under pressure |
| https://www.w3.org/2000/01/rdf-schema#label |
Killer Joe
|
| gptkbp:language |
English
|
| gptkbp:music_by |
gptkb:Tyler_Bates
|
| gptkbp:plot |
A hitman is hired by a dysfunctional family.
|
| gptkbp:premiered_on |
gptkb:South_by_Southwest_Film_Festival
|
| gptkbp:production_company |
gptkb:football_club
|
| gptkbp:rating |
NC-17
|
| gptkbp:received |
mixed reviews
|
| gptkbp:release_year |
gptkb:1998
|
| gptkbp:released_in |
gptkb:2011
|
| gptkbp:screenplay_by |
gptkb:Tracy_Letts
|
| gptkbp:starring |
gptkb:Emile_Hirsch
gptkb:Matthew_Mc_Conaughey gptkb:Gina_Gershon gptkb:Thomas_Haden_Church gptkb:Juno_Temple |