Statements (47)
Predicate | Object |
---|---|
gptkbp:instanceOf |
Person
|
gptkbp:activeYears |
1970s-present
|
gptkbp:affiliation |
gptkb:American_Film_Institute
gptkb:Society_for_Cinema_and_Media_Studies gptkb:Modern_Language_Association |
gptkbp:awards |
Lifetime_Achievement_Award_in_Feminist_Studies
|
gptkbp:birthPlace |
gptkb:New_York_City
|
gptkbp:birthYear |
1944
|
gptkbp:contribution |
Cultural Criticism
Film Theory Gender_Studies |
gptkbp:editor |
gptkb:The_Journal_of_Film_and_Video
Camera Obscura |
gptkbp:field |
Cultural Studies
Film Studies |
gptkbp:financialPerformance |
gptkb:University_of_California,_Berkeley
gptkb:University_of_California,_Santa_Barbara |
https://www.w3.org/2000/01/rdf-schema#label |
Kaja Silverman
|
gptkbp:influenced |
Cultural Theorists
Film Scholars Feminist Scholars |
gptkbp:influencedBy |
gptkb:Michel_Foucault
gptkb:Jacques_Lacan gptkb:Laura_Mulvey |
gptkbp:knownFor |
Psychoanalytic Theory
Cinematic Representation Feminist_Film_Theory |
gptkbp:language |
English
|
gptkbp:nationality |
American
|
gptkbp:notableWork |
The Miracle of Analogy
The_Acoustic_Mirror The_Subject_of_Semiotics |
gptkbp:profession |
Scholar
|
gptkbp:publications |
Feminism and Film Theory
Theories of Representation The_Female_Voice_in_Psychoanalysis_and_Cinema The_Image_of_Woman_in_Film The_Subject_of_Semiotics The_Miracle_of_Analogy:_The_History_of_Photography_and_the_Future_of_Film The_Acoustic_Mirror:_The_Female_Voice_in_Psychoanalysis_and_Cinema |
gptkbp:researchInterest |
Visual Culture
Representation in Media Identity_Politics |
gptkbp:residence |
gptkb:California
|
gptkbp:taught |
Feminist Theory
Critical Theory Film Analysis |