Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1960s-present
|
| gptkbp:associatedAct |
Grupo Ukamau
|
| gptkbp:awards |
Best Director at the 1969 Cannes Film Festival
|
| gptkbp:birthDate |
1936-10-31
|
| gptkbp:birthPlace |
gptkb:La_Paz,_Bolivia
|
| gptkbp:children |
gptkb:Jorge_Sanjinés_Jr.
|
| gptkbp:filmFestival |
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival gptkb:Venice_Film_Festival gptkb:Havana_Film_Festival |
| gptkbp:filmography |
Third Cinema
|
| https://www.w3.org/2000/01/rdf-schema#label |
Jorge Sanjinés
|
| gptkbp:influenced |
Bolivian_filmmakers
|
| gptkbp:influencedBy |
gptkb:Soviet_Cinema
gptkb:Italian_Neorealism gptkb:Jean-Luc_Godard gptkb:Francois_Truffaut Anti-imperialism Artistic Expression Cinematography Marxism Sound Design Cultural Identity Luis Buñuel Social Realism Historical Context Indigenous Culture Documentary Film Cultural Representation Film Theory Visual Storytelling Editing Techniques Narrative Structure Cinematic Language Post-colonialism Cinematic Aesthetics Political Cinema Film Aesthetics Social_Commentary Cultural_Critique Revolutionary_Movements |
| gptkbp:knownFor |
Bolivian_Cinema
|
| gptkbp:nationality |
Bolivian
|
| gptkbp:notableFilm |
gptkb:The_Return_of_the_Condor
The Last Supper The Forgotten The Other Side of the Mountain The Great Sorrow |
| gptkbp:notableWork |
gptkb:Blood_of_the_Condor
The Courage of the People |
| gptkbp:occupation |
Producer
Screenwriter |
| gptkbp:spouse |
gptkb:María_Luisa_Sanjinés
|