Statements (27)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:almaMater |
gptkb:Columbia_University
gptkb:Harvard_University |
| gptkbp:birthYear |
1951
|
| gptkbp:employer |
gptkb:Columbia_University
|
| gptkbp:field |
gptkb:media
modern art visual culture |
| gptkbp:fieldOfWork |
media studies
philosophy of technology history of perception |
| gptkbp:influencedBy |
gptkb:Maurice_Merleau-Ponty
gptkb:Michel_Foucault gptkb:Walter_Benjamin |
| gptkbp:language |
English
|
| gptkbp:nationality |
gptkb:American
|
| gptkbp:notableWork |
gptkb:Techniques_of_the_Observer
24/7: Late Capitalism and the Ends of Sleep Suspensions of Perception |
| gptkbp:occupation |
gptkb:literary_criticism
gptkb:political_scientist gptkb:art_historian |
| gptkbp:position |
Meyer Schapiro Professor of Modern Art and Theory
|
| gptkbp:taughtAt |
gptkb:Columbia_University
|
| gptkbp:bfsParent |
gptkb:Zone_Books
|
| gptkbp:bfsLayer |
7
|
| https://www.w3.org/2000/01/rdf-schema#label |
Jonathan Crary
|