Statements (69)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Sandip_Ray
gptkb:Feluda gptkb:Feluda_Series gptkb:Shonar_Kella gptkb:Feluda_series |
| gptkbp:awards |
gptkb:National_Film_Award_for_Best_Feature_Film_in_Bengali
|
| gptkbp:based_on |
gptkb:Feluda_series
|
| gptkbp:box_office |
Successful
|
| gptkbp:character |
gptkb:Feluda
gptkb:Lalmohan_Ganguly Bengali detective. Joi Baba Totonko |
| gptkbp:cinematography |
Soumendu Roy
|
| gptkbp:country |
gptkb:India
|
| gptkbp:critical_reception |
Positive reviews.
|
| gptkbp:cultural_impact |
Popular among Bengali audiences.
|
| gptkbp:director |
gptkb:Satyajit_Ray
|
| gptkbp:distributor |
Mohan Films
|
| gptkbp:editor |
gptkb:Durgadas_Mukhopadhyay
|
| gptkbp:filming_location |
gptkb:Kolkata
|
| gptkbp:followed_by |
Kailashey Kelenkari
|
| gptkbp:genre |
gptkb:mythological_figure
|
| gptkbp:has_sequel |
gptkb:Sonar_Kella
|
| https://www.w3.org/2000/01/rdf-schema#label |
Joi Baba Felunath
|
| gptkbp:influenced |
Indian detective fiction
Subsequent Feluda adaptations. |
| gptkbp:influenced_by |
gptkb:Sherlock_Holmes
|
| gptkbp:inspiration |
Ray's love for detective stories.
|
| gptkbp:language |
Bengali
|
| gptkbp:legacy |
Cult classic in Bengali cinema.
|
| gptkbp:music_by |
gptkb:Satyajit_Ray
|
| gptkbp:notable_appearance |
Confrontation with the antagonist.
The final chase. Feluda's deduction process. Feluda's interaction with local police. Feluda's interactions with the locals. Feluda's philosophical musings. Feluda's use of logic. The character development of Feluda. The climax of the investigation. The cultural references throughout the film. The emotional moments between characters. The exploration of Bengali culture. The film's contribution to detective genre. The final reveal of the idol's location. The idol theft investigation. The impact of the film on Bengali cinema. The introduction of Joi Baba. The legacy of Feluda as a character. The resolution of personal conflicts. The resolution of the case. The resolution of the main conflict. The reveal of the true culprit. The use of humor in tense situations. The use of suspense throughout the film. The use of traditional Bengali settings. Totonko's comic relief moments. The character dynamics between Feluda and Lalmohan. |
| gptkbp:plot |
Feluda investigates a case involving a missing idol.
|
| gptkbp:production_company |
gptkb:Ray_&_Associates
|
| gptkbp:release_date |
1978-12-01
|
| gptkbp:release_year |
gptkb:1978
|
| gptkbp:runtime |
120 minutes
|
| gptkbp:screenplay_by |
gptkb:Satyajit_Ray
|
| gptkbp:soundtrack |
Original score by Satyajit Ray.
|
| gptkbp:starring |
gptkb:Satyajit_Ray
|