|
gptkbp:instance_of
|
gptkb:film
gptkb:character
|
|
gptkbp:appears_in
|
Johnny Guitar (film)
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:awards
|
Academy Award nomination for Best Costume Design
|
|
gptkbp:base_notes
|
behind-the-scenes stories
|
|
gptkbp:based_on
|
novel by Ray Bradbury
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
not specified
|
|
gptkbp:budget
|
$1.5 million
not specified
|
|
gptkbp:cast
|
not specified
|
|
gptkbp:character
|
gptkb:Sheriff
gptkb:The_Dancin'_Kid
gptkb:Johnny_Guitar
gptkb:Vienna
Emma Small
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
|
gptkbp:cinematography_by
|
gptkb:Charles_Lang
use of color and lighting
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:conflict
|
land dispute
|
|
gptkbp:country
|
gptkb:United_States
not specified
|
|
gptkbp:created_by
|
gptkb:Philip_Yordan
|
|
gptkbp:critical_analysis
|
discussed in film critiques
|
|
gptkbp:critical_reception
|
cult classic
mixed reviews
Cult classic
|
|
gptkbp:cultural_impact
|
cult classic
Influenced later Westerns
Feminist film analysis
|
|
gptkbp:cultural_references
|
referenced in other media
|
|
gptkbp:cultural_significance
|
Cult film
feminist themes
Representation of women in film
analyzed in film studies
subversion of Western genre
|
|
gptkbp:depicts
|
gptkb:American_West
gender roles
|
|
gptkbp:directed_by
|
gptkb:Nicholas_Ray
|
|
gptkbp:director
|
gptkb:Nicholas_Ray
not specified
|
|
gptkbp:edited_by
|
gptkb:Dede_Allen
Robert Swink
|
|
gptkbp:editing
|
gptkb:George_L._Cukor
|
|
gptkbp:features
|
gunfights
strong female characters
showdowns
|
|
gptkbp:film_awards
|
gptkb:Cannes_Film_Festival_Award
gptkb:AFI's_10_Top_10
Golden Globe nomination
Nominated for Academy Award
BAFTA nomination
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
Orchestral
Orchestral score
|
|
gptkbp:film_technique
|
gptkb:Symbolism
Non-linear narrative
Color symbolism
stylized visuals
Character archetypes
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:genre
|
Western
not specified
|
|
gptkbp:has_adaptation
|
gptkb:stage_adaptation
|
|
gptkbp:has_awards
|
Nominated for Academy Award
nominated for Academy Awards
|
|
gptkbp:has_cameo
|
gptkb:Nicholas_Ray
|
|
gptkbp:has_character
|
gptkb:The_Dancin'_Kid
gptkb:Vienna
Emma Small
Johnny Guitar (the character)
|
|
gptkbp:has_fan_base
|
cult following
|
|
gptkbp:has_genre
|
Western
|
|
gptkbp:has_influence_on
|
Influenced feminist film criticism
|
|
gptkbp:has_language
|
English
|
|
gptkbp:has_legacy
|
Considered a classic of the genre
influenced later Westerns
|
|
gptkbp:has_merchandise
|
film posters
|
|
gptkbp:has_reception
|
Mixed reviews upon release
|
|
gptkbp:has_sequel
|
gptkb:Johnny_Guitar:_The_Return
|
|
gptkbp:has_setting
|
gptkb:American_Southwest
|
|
gptkbp:has_soundtrack
|
gptkb:original_score
gptkb:Victor_Young
|
|
gptkbp:has_theme
|
gptkb:Love
gptkb:Revenge
gptkb:friendship
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
DVD and Blu-ray
DVD and Blu-ray releases available
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Johnny Guitar
|
|
gptkbp:influenced
|
gptkb:The_Hateful_Eight
gptkb:Thelma_&_Louise
gptkb:Kill_Bill
feminist film theory
|
|
gptkbp:influenced_by
|
gptkb:Film_noir
gptkb:theater
film noir
|
|
gptkbp:influences
|
Feminist film theory
|
|
gptkbp:inspiration
|
The novel by Ray Bradbury
|
|
gptkbp:language
|
English
not specified
|
|
gptkbp:legacy
|
Influence on feminist cinema
|
|
gptkbp:main_character
|
gptkb:Johnny_Guitar
|
|
gptkbp:music
|
gptkb:Victor_Young
|
|
gptkbp:music_by
|
gptkb:Victor_Young
|
|
gptkbp:music_composer
|
gptkb:Victor_Young
|
|
gptkbp:notable_actor
|
gptkb:Scott_Brady
gptkb:Mercedes_Mc_Cambridge
gptkb:Carole_Joan_Crawford
gptkb:Sterling_Hayden
gptkb:Ward_Bond
|
|
gptkbp:notable_for
|
Strong female lead
being a female-centric Western
|
|
gptkbp:notable_quote
|
" I’m not a man, I’m a woman!"
" I’m not afraid of you, Johnny."
|
|
gptkbp:notable_scene
|
the final showdown
Johnny's guitar performance
duel between Vienna and Emma
the saloon confrontation
|
|
gptkbp:plot
|
A female saloon owner and a guitar player confront a rival gang.
A female saloon owner and a drifter confront a group of men who want to take over the town.
A female saloon owner and a drifter confront a corrupt town.
|
|
gptkbp:portrayed_by
|
gptkb:Sterling_Hayden
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:relationship_with
|
gptkb:Vienna
|
|
gptkbp:release_date
|
gptkb:1954
May 7, 1954
1954-05-26
|
|
gptkbp:release_year
|
gptkb:1954
gptkb:2023
|
|
gptkbp:released_in
|
gptkb:1954
|
|
gptkbp:remake
|
gptkb:Johnny_Guitar_(2019)
gptkb:Johnny_Guitar_(2014)
Johnny Guitar (2023)
|
|
gptkbp:restoration
|
gptkb:Criterion_Collection
|
|
gptkbp:runtime
|
110 minutes
not specified
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:screenplay
|
gptkb:Philip_Yordan
|
|
gptkbp:screenplay_by
|
gptkb:Philip_Yordan
|
|
gptkbp:set_in
|
gptkb:American_West
|
|
gptkbp:setting
|
gptkb:Arizona
|
|
gptkbp:soundtrack
|
Jazz influences
|
|
gptkbp:starring
|
gptkb:Scott_Brady
gptkb:Mercedes_Mc_Cambridge
gptkb:Carole_Joan_Crawford
gptkb:Sterling_Hayden
|
|
gptkbp:symbolism
|
gptkb:guitar
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:revenge
gptkb:friendship
Love and betrayal
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:revenge
gptkb:friendship
gender roles
|
|
gptkbp:trivia
|
notable for its dialogue
|
|
gptkbp:bfsParent
|
gptkb:Carole_Joan_Crawford
gptkb:Dennis_Hopper
gptkb:Nicholas_Ray
|
|
gptkbp:bfsLayer
|
5
|