|
gptkbp:instanceOf
|
Composer
|
|
gptkbp:associatedAct
|
gptkb:The_King's_Singers
|
|
gptkbp:associatedWith
|
Madrigal_Society
|
|
gptkbp:birthDate
|
1574
|
|
gptkbp:collaboratedWith
|
gptkb:Thomas_Morley
|
|
gptkbp:contributedTo
|
Development of the madrigal form
|
|
gptkbp:culturalImpact
|
Significant_in_English_music_history
|
|
gptkbp:deathDate
|
1638
|
|
gptkbp:education
|
gptkb:St_John's_College,_Cambridge
|
|
gptkbp:famousFor
|
Madrigals and anthems
|
|
gptkbp:genre
|
Choral music
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
John Wilbye
|
|
gptkbp:influenced
|
gptkb:Henry_Purcell
Contemporary choral composers
|
|
gptkbp:influencedBy
|
gptkb:Thomas_Tallis
Giovanni Gabrieli
|
|
gptkbp:inspiration
|
Literature
|
|
gptkbp:instrument
|
Voice
|
|
gptkbp:legacy
|
Influence_on_English_choral_music
|
|
gptkbp:musicStyle
|
Madrigal
|
|
gptkbp:nationality
|
English
|
|
gptkbp:notableEvent
|
Pioneering_English_madrigalist
|
|
gptkbp:notableFeature
|
Polyphonic texture
Adieu, sweet Amaryllis
Draw on, sweet night
O, mistress mine
The lady's farewell.
The merry month of May
English_choral_tradition
|
|
gptkbp:notableWork
|
gptkb:The_Triumphs_of_Oriana
|
|
gptkbp:occupation
|
Composer
|
|
gptkbp:performedBy
|
Various choirs
|
|
gptkbp:placeOfBirth
|
gptkb:Bury_St_Edmunds
|
|
gptkbp:placeOfDeath
|
gptkb:London
|
|
gptkbp:productionCompany
|
Late Renaissance
|
|
gptkbp:recordLabel
|
gptkb:Decca_Records
|
|
gptkbp:style
|
gptkb:English_madrigal
|