Properties (54)
Predicate | Object |
---|---|
gptkbp:instanceOf |
choreographer
|
gptkbp:affiliation |
gptkb:Royal_Ballet
gptkb:Ballet_de_l'Opéra_de_Paris |
gptkbp:associatedAct |
Ballet Stuttgart
|
gptkbp:awards |
Deutscher Tanzpreis
|
gptkbp:birthDate |
August 15, 1927
|
gptkbp:child |
gptkb:Thomas_Cranko
gptkb:Karin_Cranko Michael_Cranko Peter_Cranko |
gptkbp:collaboratedWith |
gptkb:Margot_Fonteyn
gptkb:Nureyev |
gptkbp:contribution |
development of contemporary ballet.
|
gptkbp:createdBy |
The Taming of the Shrew in 1969.
Onegin_in_1965. Romeo_and_Juliet_in_1962. |
gptkbp:deathDate |
June 26, 1973
|
gptkbp:directedBy |
Ballet_Stuttgart_from_1961_to_1973.
|
gptkbp:famousFor |
creating narrative ballets.
|
https://www.w3.org/2000/01/rdf-schema#label |
John Cranko
|
gptkbp:influenced |
dance education
ballet choreography future generations of choreographers. the international ballet scene. the_Stuttgart_Ballet's_repertoire. the_evolution_of_ballet_in_Germany. |
gptkbp:influencedBy |
gptkb:George_Balanchine
gptkb:Frederick_Ashton |
gptkbp:inspiration |
the collaboration between dancers and choreographers.
literature and poetry. many ballets based on classic literature. the adaptation of literary works into ballet. the evolution of ballet as an art form. the integration of drama into dance. the use of music in ballet. |
gptkbp:knownFor |
innovative choreography
dramatic storytelling in ballet his character-driven choreography. his unique storytelling ability. |
gptkbp:legacy |
Cranko's_ballets_are_performed_worldwide.
|
gptkbp:nationality |
German
|
gptkbp:notableWork |
gptkb:Romeo_and_Juliet
The Taming of the Shrew Onegin |
gptkbp:occupation |
ballet dancer
ballet director |
gptkbp:placeOfBirth |
gptkb:Stuttgart,_Germany
|
gptkbp:placeOfDeath |
gptkb:London,_England
|
gptkbp:recognizedBy |
dance critics.
ballet historians. |
gptkbp:spouse |
gptkb:Evelyn_Cranko
|
gptkbp:style |
neoclassical ballet
dramatic ballet |
gptkbp:taught |
many prominent dancers.
|