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gptkbp:instanceOf
|
gptkb:Film_Director
Producer
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|
gptkbp:activeYears
|
1940
1980
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gptkbp:associatedWith
|
British_documentary_movement
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gptkbp:awards
|
gptkb:Grierson_Award
gptkb:BAFTA_Award_for_Best_Documentary
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gptkbp:birthDate
|
1911-02-12
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gptkbp:collaboratedWith
|
gptkb:David_Lean
gptkb:John_Grierson
gptkb:Paul_Rotha
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gptkbp:deathDate
|
1999-07-07
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gptkbp:depictedIn
|
Pioneering female filmmaker
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gptkbp:education
|
gptkb:Royal_Academy_of_Dramatic_Art
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gptkbp:filmography
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_Story_of_the_Film_(1970)
gptkb:The_Way_We_Live_(1946)
Social commentary
Documentary realism
The Silent Village (1943)
The_Last_of_Mrs._Cheyney_(1951)
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|
https://www.w3.org/2000/01/rdf-schema#label
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Jill Craigie
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gptkbp:influenced
|
Social realism in film
Documentary_filmmaking_in_the_UK
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|
gptkbp:influencedBy
|
gptkb:British_New_Wave
gptkb:Italian_Neorealism
gptkb:French_New_Wave
gptkb:John_Grierson
gptkb:Cinema_Verité
Experimental film
Avant-garde cinema
Feminist film theory
Social documentary
Cultural documentary
Direct cinema
Political cinema
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|
gptkbp:knownFor
|
Socially conscious films
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gptkbp:legacy
|
Inspiration for future generations of filmmakers
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gptkbp:members
|
gptkb:British_Film_Institute
|
|
gptkbp:nationality
|
British
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gptkbp:notableEvent
|
First female director to receive a BAFTA nomination
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|
gptkbp:notableWork
|
gptkb:The_Last_of_Mrs._Cheyney
The_Way_We_Live
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|
gptkbp:occupation
|
Documentary Filmmaker
|
|
gptkbp:placeOfBirth
|
gptkb:Plymouth,_England
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gptkbp:placeOfDeath
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gptkb:London,_England
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|
gptkbp:spouse
|
gptkb:Paul_Rotha
|