gptkbp:instanceOf
|
film
|
gptkbp:artwork
|
realism
everyday life
minimalism
repetition
long duration
|
gptkbp:awards
|
Best Film at the 1975 Brussels International Film Festival
|
gptkbp:boxOffice
|
$1 million
|
gptkbp:cast
|
gptkb:Anne-Marie_Mieville
gptkb:Micheline_Dax
gptkb:Delphine_Seyrig
gptkb:Claire_Burch
Janine_A._K.
|
gptkbp:cinematographyBy
|
Babette Mangolte
|
gptkbp:country
|
gptkb:Belgium
|
gptkbp:criticalReception
|
acclaimed
|
gptkbp:culturalImpact
|
considered a masterpiece
|
gptkbp:culturalSignificance
|
critically acclaimed
pioneering feminist film
|
gptkbp:director
|
gptkb:Chantal_Akerman
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival_1975
|
gptkbp:filmingLocation
|
Marie-Josèphe Yoyotte
|
gptkbp:genre
|
drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
|
gptkbp:influenced
|
independent cinema
feminist film theory
art cinema
slow cinema
contemporary feminist filmmakers
|
gptkbp:influencedBy
|
avant-garde cinema
|
gptkbp:language
|
French
|
gptkbp:notableFor
|
long takes
|
gptkbp:plot
|
A widow's daily routine.
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:releaseYear
|
1975
|
gptkbp:runtime
|
201 minutes
|
gptkbp:screenplayBy
|
gptkb:Chantal_Akerman
|
gptkbp:soundtrack
|
gptkb:Catherine_Delaunay
|