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gptkbp:instance_of
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gptkb:filmmakers
|
|
gptkbp:award
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:BAFTA_Award_for_Best_Cinematography
|
|
gptkbp:birth_date
|
August 28, 1899
|
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gptkbp:birth_place
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gptkb:Guangdong,_China
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gptkbp:career_end
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1970s
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gptkbp:career_start
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1920s
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gptkbp:child
|
gptkb:James_Wong_Howe_Jr.
|
|
gptkbp:children
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gptkb:James_Howe
2
|
|
gptkbp:collaborated_with
|
gptkb:Robert_Wise
gptkb:Elia_Kazan
gptkb:John_Frankenheimer
|
|
gptkbp:death_date
|
July 12, 1976
|
|
gptkbp:director
|
gptkb:Robert_Wise
gptkb:Elia_Kazan
gptkb:John_Frankenheimer
|
|
gptkbp:education
|
gptkb:University_of_Southern_California
|
|
gptkbp:famous_quote
|
" The camera is a tool for learning how to see without a camera."
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|
gptkbp:filmography
|
gptkb:The_King_and_I
gptkb:The_Old_Man_and_the_Sea
gptkb:The_Bridge_on_the_River_Kwai
Over 130 films
|
|
gptkbp:honors
|
gptkb:Hollywood_Walk_of_Fame
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
James Wong Howe
|
|
gptkbp:influenced
|
gptkb:J._J._Abrams
gptkb:Roger_Deakins
gptkb:Steven_Spielberg
gptkb:Wong_Kar-wai
gptkb:Jordan_Peele
gptkb:Ang_Lee
gptkb:Ava_Du_Vernay
gptkb:Martin_Scorsese
gptkb:Richard_Linklater
gptkb:Taika_Waititi
gptkb:Bong_Joon-ho
gptkb:Greta_Gerwig
gptkb:Sofia_Coppola
gptkb:Tim_Burton
gptkb:Rian_Johnson
gptkb:David_Fincher
gptkb:David_Lynch
gptkb:Christopher_Nolan
gptkb:James_Cameron
gptkb:Quentin_Tarantino
gptkb:Wes_Anderson
gptkb:Paul_Thomas_Anderson
gptkb:M._Night_Shyamalan
Cinematography
Lana and Lilly Wachowski
Cinematography in Hollywood
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Film_noir
gptkb:D._W._Griffith
Silent film era
|
|
gptkbp:known_for
|
Innovative camera techniques
Use of natural light
Collaboration with major directors
|
|
gptkbp:legacy
|
Recognition in film history
Influence on future cinematographers
Pioneering Asian American cinematographer
|
|
gptkbp:main_actor
|
gptkb:Burt_Lancaster
gptkb:Anna_May_Wong
|
|
gptkbp:nationality
|
gptkb:American
|
|
gptkbp:notable_technique
|
Use of natural light
Dynamic composition
Innovative camera angles
Use of shadows
|
|
gptkbp:notable_work
|
gptkb:Hud
gptkb:The_Rose_Tattoo
gptkb:The_Thin_Man
gptkb:The_World_of_Suzie_Wong
Sweet Smell of Success
|
|
gptkbp:place_of_birth
|
gptkb:Guangdong,_China
|
|
gptkbp:place_of_death
|
gptkb:Los_Angeles,_California,_USA
|
|
gptkbp:posthumous_recognition
|
gptkb:American_Society_of_Cinematographers_Lifetime_Achievement_Award
|
|
gptkbp:signature
|
Cinematographic realism
Low-key lighting
Deep focus
|
|
gptkbp:spouse
|
gptkb:Catherine_Howe
gptkb:Mabel_Wong
gptkb:Marjorie_Howe
|
|
gptkbp:style
|
gptkb:lighting_system
gptkb:composition
Cinematography
Camera movement
|
|
gptkbp:won_award
|
2 Academy Awards
|
|
gptkbp:bfsParent
|
gptkb:The_North_Star_(film_adaptation)
gptkb:Captains_of_the_Clouds
gptkb:Angels_with_Dirty_Faces
gptkb:Since_You_Went_Away
gptkb:The_Blacker_the_Berry
gptkb:The_Bride_Came_C._O._D.
gptkb:The_Seer
gptkb:The_Last_of_Mrs._Cheyney
gptkb:The_Vision
gptkb:Knute_Rockne,_All_American
gptkb:Yankee_Doodle_Dandy
gptkb:The_Man_Who_Came_to_Dinner
gptkb:The_Night_of_the_Iguana
gptkb:Cody_Jarrett
gptkb:The_Girl_Friend
gptkb:The_Goodbye_Girl
gptkb:The_Influence
|
|
gptkbp:bfsLayer
|
4
|