|
gptkbp:instance_of
|
gptkb:painter
|
|
gptkbp:art_movement
|
gptkb:Pre-Raphaelitism
|
|
gptkbp:associated_with
|
gptkb:Royal_Academy_of_Arts
|
|
gptkbp:birth_date
|
1849-04-06
|
|
gptkbp:child
|
gptkb:Gwendoline_Waterhouse
gptkb:John_Waterhouse
Margaret Waterhouse
|
|
gptkbp:death_date
|
1917-02-10
|
|
gptkbp:education
|
gptkb:Royal_Academy_Schools
|
|
gptkbp:exhibition
|
Exhibition of the Royal Society of British Artists
Exhibition of the Grosvenor Gallery
Exhibition of the New Gallery
Royal Academy Exhibition
|
|
gptkbp:famous_for
|
Attention to detail
Use of symbolism
Emotional expression
Vibrant colors
Symbolic imagery
Historical accuracy
Mythological themes
Literary themes
Romantic themes
Use of light
Feminine beauty
Detailed backgrounds
|
|
gptkbp:genre
|
History painting
Landscape painting
Portrait painting
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
J. W. Waterhouse
|
|
gptkbp:influenced
|
gptkb:Art_Nouveau
Modern art
|
|
gptkbp:influenced_by
|
gptkb:Dante_Gabriel_Rossetti
gptkb:John_Everett_Millais
|
|
gptkbp:known_for
|
Pre-Raphaelite painting
|
|
gptkbp:nationality
|
gptkb:British
|
|
gptkbp:notable_work
|
gptkb:Hylas_and_the_Nymphs
gptkb:Ophelia
gptkb:The_Magic_Circle
gptkb:The_Lady_of_Shalott
|
|
gptkbp:place_of_birth
|
gptkb:Rome
|
|
gptkbp:place_of_death
|
gptkb:London
|
|
gptkbp:spouse
|
gptkb:Ethel_Waterhouse
|
|
gptkbp:style
|
gptkb:Symbolism
gptkb:Romanticism
|
|
gptkbp:bfsParent
|
gptkb:1850_Royal_Academy_Exhibition
|
|
gptkbp:bfsLayer
|
6
|