Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_Church_of_Saint_Mark
gptkb:St._Mark's_Basilica |
| gptkbp:associated_with |
gptkb:philosopher
|
| gptkbp:developed_by |
gptkb:Monarch
|
| gptkbp:historical_period |
gptkb:Middle_Ages
|
| https://www.w3.org/2000/01/rdf-schema#label |
Italo-Byzantine
|
| gptkbp:influenced_by |
gptkb:Monarch
|
| gptkbp:is_characterized_by |
gold backgrounds
rich colors flat figures |
| gptkbp:notable_artists |
gptkb:Simone_Martini
gptkb:Giotto gptkb:Duccio_di_Buoninsegna |
| gptkbp:notable_features |
use of light and shadow
spiritual themes decorative patterns stylized forms gold leaf application spatial organization elongated proportions influence on Baroque art narrative scenes influence on later art movements use of drapery emphasis on facial expressions iconic representation influence on religious art sacred themes cultural exchange between East and West revival of classical themes lack of perspective emphasis on the divine influence on modern religious art integration of architecture and painting use of mosaics use of tempera paint development of altarpieces use of iconography use of symbolism in art development of icon painting development of liturgical art emphasis on symbolism emphasis on the miraculous emphasis on the sacred narrative influence on Gothic art integration of local styles use of narrative cycles |
| gptkbp:notable_work |
gptkb:The_MaestÃ
gptkb:Madonna_and_Child gptkb:The_Annunciation |
| gptkbp:origin |
gptkb:Italy
Renaissance art |
| gptkbp:used_in |
gptkb:church
cathedrals |