|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:boxOfficeGross
|
$2,431,000
|
|
gptkbp:budget
|
$2,540,000
|
|
gptkbp:cinematography
|
gptkb:Robert_Planck
|
|
gptkbp:containsStory
|
gptkb:Adolph_Green
gptkb:Betty_Comden
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Gene_Kelly
gptkb:Stanley_Donen
|
|
gptkbp:distributor
|
gptkb:Loew's,_Inc.
|
|
gptkbp:editingBy
|
gptkb:Adrian_Farnsworth
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
It's Always Fair Weather
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:André_Previn
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Art_Direction-Set_Decoration,_Color
gptkb:Academy_Award_for_Best_Story_and_Screenplay
gptkb:Academy_Award_for_Best_Music,_Scoring_of_a_Musical_Picture
|
|
gptkbp:notableSong
|
'I Like Myself'
'Thanks a Lot, But No Thanks'
'The Time for Parting'
|
|
gptkbp:plotSummary
|
Three ex-GIs reunite 10 years after WWII and find they have little in common.
|
|
gptkbp:producer
|
gptkb:Arthur_Freed
|
|
gptkbp:productionCompany
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:releaseYear
|
1955
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Adolph_Green
gptkb:Betty_Comden
|
|
gptkbp:setInPeriod
|
post-World War II
|
|
gptkbp:starring
|
gptkb:Dan_Dailey
gptkb:Dolores_Gray
gptkb:Gene_Kelly
gptkb:Michael_Kidd
gptkb:Cyd_Charisse
|
|
gptkbp:bfsParent
|
gptkb:Gene_Kelly
gptkb:Stanley_Donen
gptkb:Cyd_Charisse
|
|
gptkbp:bfsLayer
|
5
|