Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:altar
|
| gptkbp:art_movement |
Renaissance art
|
| gptkbp:artist |
gptkb:Matthias_Grünewald
|
| gptkbp:associated_with |
suffering and healing
|
| gptkbp:cultural_significance |
important work in art history
|
| gptkbp:depicts |
gptkb:the_Last_Judgment
gptkb:the_Resurrection gptkb:Saint_Anthony gptkb:the_Nativity gptkb:the_Adoration_of_the_Magi gptkb:the_Last_Supper gptkb:the_Lamentation_of_Christ gptkb:the_Temptation_of_Saint_Anthony gptkb:the_Annunciation gptkb:the_Virgin_Mary the Passion of Christ the angels the apostles the saints the themes of sacrifice the hope of salvation the Ascension of Christ the themes of resurrection the themes of hope the themes of redemption the themes of love the divine intervention the themes of compassion the themes of healing the Crucifixion scene the themes of faith the heavenly hosts the earthly suffering the themes of suffering |
| gptkbp:dimensions |
approximately 3.5 meters tall
|
| gptkbp:exhibition |
displayed in various museums
|
| gptkbp:historical_context |
created for the Monastery of St. Anthony
|
| https://www.w3.org/2000/01/rdf-schema#label |
Isenheim Altarpiece
|
| gptkbp:iconography |
complex symbolism
|
| gptkbp:influence |
inspired later artists
|
| gptkbp:influenced_by |
gptkb:Gothic_art
|
| gptkbp:inspiration |
the suffering of the sick
|
| gptkbp:is_a_focal_point_for |
the central panel
|
| gptkbp:location |
gptkb:Unterlinden_Museum
|
| gptkbp:medium |
oil on wood
|
| gptkbp:notable_feature |
use of vivid colors
depiction of the Crucifixion polyptych format |
| gptkbp:restoration |
underwent several restorations
|
| gptkbp:style |
gptkb:Northern_Renaissance
|
| gptkbp:subject_matter |
Christian themes
|
| gptkbp:technique |
layering of paint
|
| gptkbp:year_created |
1512
|
| gptkbp:bfsParent |
gptkb:Matthias_Grünewald
gptkb:Unterlinden_Museum |
| gptkbp:bfsLayer |
5
|