Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film
ballet opera |
| gptkbp:author |
Euripides
|
| gptkbp:criticalReception |
Analyzed for its themes.
Studied in literature courses. Well-received in antiquity. |
| gptkbp:culturalSignificance |
Influences modern storytelling.
Reflects on human emotions. Explores_Greek_mythology. |
| gptkbp:genre |
tragedy
|
| gptkbp:hasPerformance |
circa 414 BC
|
| gptkbp:historical_analysis |
Examined for its narrative structure.
Analyzed for its moral questions. Considered a commentary on justice. Discussed in feminist readings. Interpreted through psychoanalytic lenses. |
| gptkbp:historicalContext |
Reflects societal values of the time.
Part_of_the_Greek_tragic_tradition. Written_during_the_Peloponnesian_War. |
| https://www.w3.org/2000/01/rdf-schema#label |
Iphigenia in Tauris
|
| gptkbp:influence |
Western literature
|
| gptkbp:inspiration |
Influenced by earlier myths.
Draws from themes of sacrifice. Inspired_by_the_story_of_Iphigenia. |
| gptkbp:language |
Ancient Greek
|
| gptkbp:mainCharacter |
gptkb:Iphigenia
Orestes Pylades |
| gptkbp:notableQuote |
"The gods are just, but they are also cruel."
|
| gptkbp:performance |
Adapted for various media.
Revived in modern theaters. Various modern theaters. Performed_in_ancient_Greece. Theater_of_Dionysus. |
| gptkbp:plot |
The characters face moral dilemmas.
The play ends with a reunion. The story explores themes of identity. Iphigenia_does_not_recognize_her_brother. Iphigenia_is_a_priestess_in_Tauris. Orestes_and_Pylades_arrive_in_Tauris. Orestes_is_pursued_by_the_Furies. |
| gptkbp:relatedPatent |
Agamemnon
The Oresteia Iphigenia_at_Aulis |
| gptkbp:setting |
Tauris
|
| gptkbp:theme |
family
sacrifice fate |