Statements (129)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:activities |
one act
|
| gptkbp:adaptation |
gptkb:ballet
gptkb:Film_adaptations adapted into various formats |
| gptkbp:adapted_into |
Theatre productions
Into various languages |
| gptkbp:associated_act |
gptkb:musical
|
| gptkbp:audience |
well-received by audiences
|
| gptkbp:based_on |
gptkb:The_King_and_the_Mockingbird
The King's Daughter by A. K. Tolstoy play by Henrik Ibsen Henrik Ibsen's play ' The Lady from the Sea' Play by Henryk Ibsen |
| gptkbp:character |
gptkb:Iolanta
gptkb:Marta gptkb:The_Doctor gptkb:Count_Vaudémont gptkb:King_René gptkb:Robert Brigitta |
| gptkbp:color |
rich orchestral color
|
| gptkbp:composed_of |
gptkb:Modest_Tchaikovsky
|
| gptkbp:composer |
gptkb:Pyotr_Ilyich_Tchaikovsky
gptkb:theorem considered a chamber opera |
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
performed worldwide
Influenced literature part of Tchaikovsky's legacy |
| gptkbp:cultural_significance |
important work in Russian opera
|
| gptkbp:demands |
high vocal demands on singers
|
| gptkbp:features |
The duet ' Uzh ne v pervyy raz'.
|
| gptkbp:filming_location |
gptkb:Saint_Petersburg
|
| gptkbp:first_performance |
gptkb:Saint_Petersburg
gptkb:Mariinsky_Theatre |
| gptkbp:genre |
lyrical opera
|
| gptkbp:historical_context |
composed during the late Romantic period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Iolanta
|
| gptkbp:influence |
inspired other operas
|
| gptkbp:influenced_artists |
influenced later composers
|
| gptkbp:influences |
romanticism
|
| gptkbp:inspiration |
Tchaikovsky's personal experiences
|
| gptkbp:is_considered_as |
A significant work in Tchaikovsky's oeuvre
|
| gptkbp:language |
gptkb:Author
|
| gptkbp:librettist |
gptkb:Modest_Tchaikovsky
|
| gptkbp:main_character |
gptkb:Iolanta
|
| gptkbp:music_style |
lyrical and expressive
characterized by emotional depth one act with multiple scenes |
| gptkbp:notable_conductors |
conducted by famous conductors
|
| gptkbp:notable_for |
gptkb:Symbolism
|
| gptkbp:notable_performance |
often performed in concert form
performed in Russian opera houses |
| gptkbp:notable_production |
gptkb:San_Francisco_Opera_production
gptkb:Fort_Worth_Opera_production gptkb:Glyndebourne_Festival_Opera_production gptkb:New_Zealand_Opera_production Royal Opera House production Minnesota Opera production Opera Philadelphia production Seattle Opera production Atlanta Opera production Cincinnati Opera production Lyric Opera of Chicago production Metropolitan Opera production Opera North production Opera Omaha production Opera Theatre of Saint Louis production Opera in the Heights production Pittsburgh Opera production Bavarian State Opera production Vienna State Opera production Canadian Opera Company production Opera Australia production Bolshoi Theatre production Los Angeles Opera production Charleston Opera production Nashville Opera production Opera Colorado production Opera Delaware production Opera San Antonio production Opera Santa Barbara production Palm Beach Opera production Opera Memphis production Opera Southwest production Opera on the James production Danish National Opera production Opera Kansas City production Opera Lyra Ottawa production Opera New Jersey production |
| gptkbp:notable_recordings |
1950s
numerous recordings exist Numerous recordings available multiple recordings available |
| gptkbp:notable_song |
gptkb:Iolanta's_Aria
Kto mey dolzhny ' Iolanta's aria' ' Iolanta's Aria' ' The Duke’s Aria' ' The King’s Aria' |
| gptkbp:orchestration |
gptkb:orchestra
orchestra and voices Lyrical and delicate |
| gptkbp:performed_by |
Many opera houses
|
| gptkbp:premiere |
1892
|
| gptkbp:premiere_date |
1892
December 6, 1892 |
| gptkbp:premiered_on |
1892
|
| gptkbp:recorded_by |
Several times
|
| gptkbp:reunion |
frequently revived in opera houses
|
| gptkbp:set_in |
gptkb:Medieval_Europe
|
| gptkbp:setting |
gptkb:Kingdom_of_the_Blind
medieval castle A castle in the 15th century |
| gptkbp:thematic_element |
gptkb:Saint
love freedom redemption self-discovery blindness explores themes of sight and insight |
| gptkbp:theme |
recurring musical themes throughout
|
| gptkbp:themes |
blindness and sight
Blindness and enlightenment love and blindness |
| gptkbp:bfsParent |
gptkb:Tchaikovsky
gptkb:Pyotr_Ilyich_Tchaikovsky |
| gptkbp:bfsLayer |
4
|