|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Chuck_Palahniuk
|
|
gptkbp:adaptation
|
gptkb:none
high
not adapted
|
|
gptkbp:adapted_into
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Chuck_Palahniuk
|
|
gptkbp:available_formats
|
gptkb:book
ebook
hardcover
paperback
|
|
gptkbp:based_on
|
gptkb:novel
Invisible Monsters (novel)
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
gptkb:$8_million
|
|
gptkbp:character
|
gptkb:Brandy_Alexander
gptkb:Evie
gptkb:Mickey
gptkb:Tiffany
gptkb:the_Narrator
gptkb:Shannon
|
|
gptkbp:character_development
|
relationship dynamics
exploration of trauma
Brandy's transformation
|
|
gptkbp:cinematography
|
gptkb:Michael_Goi
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:David_Choe
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
cult following
inspired art
influenced pop culture
inspired merchandise
inspired fashion trends
inspired fan art
inspired music
featured in book clubs
inspired other authors
influenced music
discussed in academic studies
inspired film discussions
inspired tattoos
discussed in podcasts
adapted into performances
analyzed in reviews
featured in literary festivals
quoted in media
|
|
gptkbp:directed_by
|
gptkb:Ryan_Murphy
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
Catherine Haight
|
|
gptkbp:followed_by
|
gptkb:Choke
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:comic_book
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Invisible Monsters
|
|
gptkbp:influenced_by
|
gptkb:David_Foster_Wallace
gptkb:Kurt_Vonnegut
gptkb:The_Bell_Jar
gptkb:The_Catcher_in_the_Rye
gptkb:Virginia_Woolf
gptkb:American_Psycho
|
|
gptkbp:influences
|
gptkb:Goth_culture
postmodern literature
consumerism
queer theory
punk culture
|
|
gptkbp:isbn
|
978-0385486788
978-0385486780
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:comic_book
irony
metafiction
|
|
gptkbp:main_character
|
gptkb:Brandy_Alexander
Shannon Mc Farland
a disfigured model
|
|
gptkbp:motif
|
gptkb:Community_Center
gptkb:museum
violence
|
|
gptkbp:music_by
|
gptkb:John_Ottman
|
|
gptkbp:narrative_style
|
first-person
non-linear
non-linear storytelling
|
|
gptkbp:next_edition
|
1999 edition
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
A disfigured model's journey of self-discovery.
disfigured model's journey
|
|
gptkbp:preceded_by
|
gptkb:professional_wrestling_event
|
|
gptkbp:produced_by
|
gptkb:Ryan_Murphy_Productions
|
|
gptkbp:published_by
|
gptkb:1999
|
|
gptkbp:published_year
|
gptkb:1999
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:reader_demographic
|
polarizing opinions
|
|
gptkbp:related_to
|
Chuck Palahniuk's works
|
|
gptkbp:related_works
|
gptkb:Haunted
gptkb:choir
gptkb:legal_case
Damned
Rant
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:screenplay_by
|
gptkb:Ryan_Murphy
|
|
gptkbp:series
|
gptkb:none
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:starring
|
gptkb:Cameron_Diaz
gptkb:Clea_Du_Vall
gptkb:William_Lee_Scott
gptkb:Jeffrey_Donovan
|
|
gptkbp:style
|
non-linear narrative
|
|
gptkbp:symbolism
|
gptkb:mythological_figure
masks
invisibility
identity crisis
beauty standards
disfigurement
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:political_movement
beauty
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
beauty
|