Statements (43)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
poem
|
| gptkbp:artMovement |
imagery
metaphor alliteration personification |
| gptkbp:author |
gptkb:W._H._Auden
|
| gptkbp:criticalReception |
analyzed for its historical context
praised for its emotional depth considered a classic of 20th-century poetry |
| gptkbp:culturalImpact |
influenced later poets
widely studied in literature courses adapted into various art forms |
| gptkbp:dedicatedTo |
gptkb:W._B._Yeats
|
| gptkbp:formFactor |
lyric poem
|
| gptkbp:genre |
elegy
|
| https://www.w3.org/2000/01/rdf-schema#label |
In Memory of W. B. Yeats
|
| gptkbp:impact |
addressed the theme of loss
contributed to modernist themes examined the role of the poet explored the relationship between art and life influenced the elegy genre |
| gptkbp:influences |
gptkb:W._B._Yeats
modernist poetry |
| gptkbp:inspiration |
the role of the poet in society
the_impact_of_World_War_II the_death_of_W._B._Yeats |
| gptkbp:language |
English
|
| gptkbp:notableFeature |
art
death memory |
| gptkbp:opened |
For poetry makes nothing happen.
|
| gptkbp:productLine |
He disappeared in the dead of winter.
|
| gptkbp:publishedBy |
Faber and Faber
|
| gptkbp:publishedIn |
1939
|
| gptkbp:relatedPatent |
The Waste Land
Funeral Blues The Second Coming Do Not Go Gentle into That Good Night |
| gptkbp:structureType |
three_stanzas
|
| gptkbp:style |
elegiac tone
formal structure reflective mood sophisticated diction |