Statements (46)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
poem
|
| gptkbp:adaptedInto |
musical
film |
| gptkbp:author |
gptkb:Alfred_Lord_Tennyson
|
| gptkbp:citedBy |
literary criticism
scholarly articles anthologies |
| gptkbp:criticalReception |
widely acclaimed
studied in academia |
| gptkbp:culturalImpact |
widely quoted
|
| gptkbp:dedicatedTo |
gptkb:Arthur_Hallam
|
| gptkbp:formFactor |
lyric poem
|
| gptkbp:genre |
elegy
|
| gptkbp:hasSections |
133
|
| https://www.w3.org/2000/01/rdf-schema#label |
In Memoriam A.H.H.
|
| gptkbp:influenced |
gptkb:T._S._Eliot
gptkb:W._H._Auden modern poetry symphonic compositions choral works |
| gptkbp:influencedBy |
Romanticism
|
| gptkbp:inspiration |
memorials
literary analysis |
| gptkbp:language |
English
|
| gptkbp:notableFeature |
love
dance performances faith visual art grief artistic interpretations musical settings |
| gptkbp:notableQuote |
'Tis better to have loved and lost than never to have loved at all.
|
| gptkbp:notableWork |
spiritual journey
philosophical reflections psychological aspects of grief |
| gptkbp:opened |
And so, all things are ours.
|
| gptkbp:performedBy |
dramatic readings
|
| gptkbp:productLine |
I_hold_it_true,_whate'er_befall.
|
| gptkbp:publishedBy |
1850
|
| gptkbp:publishedIn |
book form
|
| gptkbp:structureType |
stanzas
|
| gptkbp:style |
lyrical
|
| gptkbp:theme |
hope
loss memory |
| gptkbp:translatedInto |
multiple languages
|