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gptkbp:instance_of
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gptkb:anthology
|
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
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gptkb:Hong_Sang-soo
|
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gptkbp:adaptation
|
none known
not adapted into film
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gptkbp:art_movement
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gptkb:church
|
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gptkbp:author
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gptkb:Ernest_Hemingway
|
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gptkbp:character
|
the narrator
the Italian soldiers
the American soldier
|
|
gptkbp:character_development
|
static characters
|
|
gptkbp:character_relationships
|
isolation from society
connection through trauma
friendship among soldiers
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
post-war Europe
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:historical_context
|
1920s
|
|
gptkbp:historical_significance
|
still studied in literature courses
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
In Another Country
|
|
gptkbp:influenced_artists
|
evokes empathy
influenced later war literature
challenges perceptions of war
promotes reflection on healing
|
|
gptkbp:influences
|
gptkb:World_War_I
|
|
gptkbp:inspiration
|
Hemingway's experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:language
symbolism
imagery
|
|
gptkbp:mood
|
gptkb:melancholic
reflective
somber
|
|
gptkbp:motif
|
courage
healing
suffering
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
linear
man vs. society
man vs. fate
man vs. self
|
|
gptkbp:published_by
|
gptkb:1927
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:setting
|
gptkb:Milan
|
|
gptkbp:style
|
minimalist
|
|
gptkbp:symbolism
|
the machines
the hospital
the injuries
|
|
gptkbp:themes
|
gptkb:loss
gptkb:war
isolation
|
|
gptkbp:viewpoint
|
limited
|