Statements (44)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
avant-garde music
|
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:cultural_significance |
pioneering work in electronic music
|
| gptkbp:dedicated_to |
gptkb:David_Tudor
|
| gptkbp:duration |
approximately 10 minutes
|
| gptkbp:genre |
experimental music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Imaginary Landscape No. 4
|
| gptkbp:influenced |
sound installations
future generations of composers modern sound art |
| gptkbp:influenced_by |
gptkb:Artist
gptkb:Monarch |
| gptkbp:inspired |
subsequent experimental compositions
|
| gptkbp:instrument |
gptkb:musician
drums whistles record players |
| gptkbp:notable_for |
collaboration with visual artists
its experimental nature exploration of sound as a medium use of chance operations use of non-traditional instruments its role in the development of multimedia performances its contribution to the field of sound studies its historical context in music history its impact on the perception of music its innovative approach to performance its role in the evolution of contemporary music |
| gptkbp:notable_performance |
2
performed at the 1952 International Festival of Contemporary Music |
| gptkbp:part_of |
gptkb:Imaginary_Landscape_series
20th-century classical music |
| gptkbp:performance |
requires improvisation
|
| gptkbp:performed_by |
gptkb:John_Cage
gptkb:Merce_Cunningham gptkb:David_Tudor various art festivals |
| gptkbp:premiere_date |
1951
|
| gptkbp:published_by |
gptkb:C._F._Peters_Corporation
|
| gptkbp:recorded_by |
gptkb:Various_artists
|
| gptkbp:year_composed |
1951
|
| gptkbp:bfsParent |
gptkb:John_Cage
|
| gptkbp:bfsLayer |
4
|