Statements (121)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
gptkb:play |
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Giovanni_Battista_Guarini
|
| gptkbp:adaptation |
gptkb:musical
gptkb:ballet gptkb:opera gptkb:novel gptkb:film various adaptations in different languages Il pastor fido (opera) multiple adaptations over centuries |
| gptkbp:adapted_into |
play by Giovanni Battista Guarini
|
| gptkbp:audience |
popular among audiences
|
| gptkbp:author |
gptkb:Giovanni_Battista_Guarini
|
| gptkbp:character_development |
characters undergo transformation
|
| gptkbp:character_relationships |
Mirtillo and Amarilli
Silvio and Dorinda complex love triangles |
| gptkbp:composer |
gptkb:Francesco_Cavalli
inspired composers like Handel |
| gptkbp:critical_reception |
well-received
well-received in its time |
| gptkbp:cultural_impact |
inspired artists
inspired musicians inspired playwrights inspired writers influenced Italian opera tradition |
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
Renaissance literature
important work in Baroque opera |
| gptkbp:dedication |
gptkb:noble_title
|
| gptkbp:director |
directed by prominent figures
|
| gptkbp:first_published |
1602
|
| gptkbp:genre |
gptkb:opera
pastoral drama |
| gptkbp:historical_context |
gptkb:Italian_Renaissance
gptkb:book_series Baroque period 17th century Italy |
| https://www.w3.org/2000/01/rdf-schema#label |
Il pastor fido
|
| gptkbp:influence |
Italian literature
later pastoral works European drama |
| gptkbp:influenced |
Baroque drama
later operatic works |
| gptkbp:influenced_by |
gptkb:Italian_Renaissance_literature
|
| gptkbp:influences |
gptkb:choir
|
| gptkbp:inspiration |
inspired other composers
classical pastoral tradition |
| gptkbp:inspired |
later works
|
| gptkbp:is_a_venue_for |
gptkb:Teatro_San_Giovanni_Grisostomo
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
considered a classic of the genre
|
| gptkbp:librettist |
gptkb:Giovanni_Battista_Guarini
|
| gptkbp:music_style |
gptkb:Baroque
recitative and aria divided into acts and scenes |
| gptkbp:notable_appearance |
dramatic confrontations
|
| gptkbp:notable_character |
gptkb:Amarilli
gptkb:Mirtillo gptkb:Daphne Silvia Silvio Dorinda Aminta Clori Tirsi |
| gptkbp:notable_performance |
gptkb:Royal_Theatre
gptkb:National_Theatre_of_Italy gptkb:La_Scala gptkb:Teatro_Olimpico gptkb:Comédie-Française performed in festivals performed at major opera houses |
| gptkbp:notable_performers |
performed by various opera companies
|
| gptkbp:notable_production |
Venice 1650
|
| gptkbp:notable_quote |
“ Love is the greatest good.”
" Deception is a part of love" " Identity is fluid" " Love is the greatest gift" " Nature is the true guide" " The heart knows no bounds" |
| gptkbp:notable_recordings |
available on various labels
|
| gptkbp:notable_song |
gptkb:Lamento_di_Aminta
|
| gptkbp:orchestration |
strings and continuo
|
| gptkbp:performance |
performed in theaters
performed in Europe performed in Italy |
| gptkbp:premiere_date |
1650
|
| gptkbp:published_by |
gptkb:Venice
|
| gptkbp:reunion |
performed in modern times
|
| gptkbp:scholarly_analysis |
subject of academic studies
examined in literary studies analyzed for themes of love discussed in theater history interpreted through feminist lens studied for its influence on drama |
| gptkbp:setting |
gptkb:Arcadia
pastoral |
| gptkbp:social_structure |
five acts
|
| gptkbp:symbolism |
love
nature shepherds |
| gptkbp:thematic_element |
gptkb:TV_series
gptkb:military_operation nature love and deception pastoral life |
| gptkbp:theme |
love
nature vs. civilization recurring motifs |
| gptkbp:themes |
gptkb:TV_series
gptkb:betrayal gptkb:loyalty gptkb:military_operation redemption nature and pastoral life |
| gptkbp:translated_into |
gptkb:French
gptkb:Spanish English |