|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
|
|
gptkbp:adapted_into
|
graphic novels
radio plays
|
|
gptkbp:author
|
gptkb:Luigi_Pirandello
|
|
gptkbp:character
|
self-discovery
|
|
gptkbp:character_development
|
Mattia's transformation
|
|
gptkbp:conflict
|
societal norms
|
|
gptkbp:contains
|
gptkb:musical
gptkb:earthquake
irony
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:discusses
|
the search for meaning
the role of chance
the impact of society on the individual
|
|
gptkbp:explores
|
the nature of reality
the concept of fate
the concept of freedom
the concept of self
the concept of luck
the absurdity of life
|
|
gptkbp:features
|
social commentary
philosophical dialogues
complex characters
psychological depth
|
|
gptkbp:genre
|
gptkb:philosopher
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Il fu Mattia Pascal
|
|
gptkbp:influence
|
existential philosophy
modern literature
|
|
gptkbp:influenced
|
gptkb:theater_of_the_absurd
postmodern literature
|
|
gptkbp:inspired
|
gptkb:philosopher
gptkb:Artist
gptkb:Author
|
|
gptkbp:inspired_by
|
Pirandello's own experiences
|
|
gptkbp:is_available_on
|
in audiobook format
in digital format
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_part_of
|
academic discussions
|
|
gptkbp:is_recognized_by
|
for its thematic depth
for its character complexity
for its innovative narrative structure
|
|
gptkbp:is_referenced_in
|
in popular culture
|
|
gptkbp:is_studied_in
|
in literature courses
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:main_character
|
gptkb:Mattia_Pascal
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
“ I am not what I am.”
|
|
gptkbp:part_of
|
Italian literature canon
|
|
gptkbp:published_by
|
gptkb:Giulio_Einaudi_Editore
1904
|
|
gptkbp:setting
|
gptkb:Italy
|
|
gptkbp:symbolism
|
gptkb:the_mask
the double life
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:existentialism
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Lina_Pirandello
|
|
gptkbp:bfsLayer
|
5
|