Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:adaptations |
adapted into various languages
|
| gptkbp:artistic_innovation |
introduced new musical ideas for its time
|
| gptkbp:audience |
popular among opera lovers
engages audiences with humor and charm |
| gptkbp:character_development |
strong character arcs
|
| gptkbp:character_motivation |
characters driven by love and ambition
|
| gptkbp:character_relationships |
complex relationships among characters
explores dynamics of love and trust |
| gptkbp:composer |
gptkb:Domenico_Cimarosa
|
| gptkbp:critical_reception |
well-received by audiences
|
| gptkbp:cultural_impact |
influenced later operas
influenced the development of comic opera. |
| gptkbp:cultural_references |
references to contemporary society
|
| gptkbp:cultural_significance |
important work in opera repertoire
|
| gptkbp:focus |
love and deception
explores deeper themes of fidelity and loyalty |
| gptkbp:genre |
gptkb:opera_buffa
|
| gptkbp:historical_context |
late 18th century Italy
|
| gptkbp:historical_legacy |
remains a staple in opera houses
|
| gptkbp:historical_significance |
reflects societal norms of its time
|
| https://www.w3.org/2000/01/rdf-schema#label |
Il Matrimonio Segreto
|
| gptkbp:influenced_artists |
considered a classic of the genre
|
| gptkbp:influences |
gptkb:Mozart's_operas
|
| gptkbp:inspiration |
Cimarosa's life experiences
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:libretto |
gptkb:Giovanni_Battista_Lorenzi
|
| gptkbp:music_style |
light-hearted and playful
maintains tension throughout the acts |
| gptkbp:musical_elements |
melodic and harmonic richness
|
| gptkbp:notable_aria |
" Come un agnello"
|
| gptkbp:notable_character |
gptkb:Elvira
gptkb:Geronimo Fidalma Paolino |
| gptkbp:notable_collaborations |
" Prenderò quel brunettino"
|
| gptkbp:notable_ending |
concludes with a happy resolution
|
| gptkbp:notable_production |
La Scala production
|
| gptkbp:notable_recitative |
" Recitative of Paolino"
|
| gptkbp:notable_solos |
" Solo of Fidalma"
|
| gptkbp:notable_song |
" Chorus of the Servants"
|
| gptkbp:notable_themes |
social class and marriage
|
| gptkbp:number_of_acts |
2
|
| gptkbp:orchestration |
rich orchestral textures
|
| gptkbp:performance |
performed since its premiere
|
| gptkbp:performance_tradition |
performed worldwide
|
| gptkbp:plot |
romantic entanglements and misunderstandings
|
| gptkbp:premiere |
1792
|
| gptkbp:recordings |
multiple recordings exist
|
| gptkbp:revival |
frequently revived in opera houses
|
| gptkbp:setting |
gptkb:Naples
|
| gptkbp:style |
comic opera
|
| gptkbp:thematic_element |
secret marriage
|
| gptkbp:theme |
recurring motifs throughout the opera
|
| gptkbp:bfsParent |
gptkb:Raffaele_Galuppi
|
| gptkbp:bfsLayer |
7
|