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gptkbp:instance_of
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gptkb:poetry
|
|
gptkbp:adapted_into
|
performances
|
|
gptkbp:addresses
|
the impact of World War I
|
|
gptkbp:author
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gptkb:Ezra_Pound
|
|
gptkbp:contains
|
historical references
|
|
gptkbp:contains_themes
|
cultural criticism
disillusionment
artistic identity
|
|
gptkbp:explores
|
the role of the artist
|
|
gptkbp:features
|
satirical elements
|
|
gptkbp:follows
|
gptkb:The_Cantos
|
|
gptkbp:genre
|
modernist poetry
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|
gptkbp:has_influenced
|
subsequent poets
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hugh Selwyn Mauberley
|
|
gptkbp:influenced_by
|
gptkb:Imagism
|
|
gptkbp:is_analyzed_in
|
its thematic depth
|
|
gptkbp:is_associated_with
|
the modernist movement
|
|
gptkbp:is_available_in
|
anthologies
|
|
gptkbp:is_available_on
|
various literary platforms
|
|
gptkbp:is_celebrated_for
|
its lyrical quality
|
|
gptkbp:is_cited_in
|
academic papers
|
|
gptkbp:is_considered
|
a critique of modern society
a reflection of Pound's views
a pivotal work in Pound's career
|
|
gptkbp:is_critiqued_by
|
literary scholars
|
|
gptkbp:is_discussed_in
|
literary circles
|
|
gptkbp:is_divided_into
|
two parts
|
|
gptkbp:is_examined_in
|
literary theory courses
|
|
gptkbp:is_explored_in
|
biographies of Ezra Pound
|
|
gptkbp:is_influential_in
|
poetic forms
|
|
gptkbp:is_noted_for
|
its innovative style
|
|
gptkbp:is_part_of
|
the modernist canon
Ezra Pound's body of work
|
|
gptkbp:is_recognized_for
|
its cultural commentary
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
gptkb:literary_criticism
|
|
gptkbp:is_regarded_as
|
a significant work in modernist literature
|
|
gptkbp:is_respected_by
|
its artistic merit
|
|
gptkbp:is_studied_in
|
academic settings
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_work
|
gptkb:Ezra_Pound
|
|
gptkbp:published_in
|
gptkb:1920
|
|
gptkbp:structure
|
lyric poem
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_in
|
free verse
|
|
gptkbp:bfsParent
|
gptkb:Ezra_Pound
gptkb:R._S._Thomas
|
|
gptkbp:bfsLayer
|
5
|