How to Explain Pictures to a Dead Hare
GPTKB entity
Statements (94)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Joseph_Beuys
|
| gptkbp:art_movement |
gptkb:Fluxus
|
| gptkbp:art_style |
gptkb:TV_series
gptkb:church gptkb:language paintings symbolism the human condition interdisciplinary approach human condition 1960s counterculture emotional engagement identity and existence the role of the artist art as a means of communication art as communication to provoke thought performance as a medium |
| gptkbp:artistic_influence |
postmodern art
|
| gptkbp:artistic_legacy |
inspired future generations
influenced future artists |
| gptkbp:artwork |
gptkb:art_installation
|
| gptkbp:audience |
gptkb:musician
gptkb:literary_work passive observation |
| gptkbp:challenges |
traditional aesthetics
|
| gptkbp:creator |
gptkb:Joseph_Beuys
|
| gptkbp:critical_reception |
controversial
|
| gptkbp:cultural_impact |
post-war Germany
|
| gptkbp:cultural_significance |
artistic freedom
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:first_performance |
gptkb:Düsseldorf
|
| gptkbp:genre |
gptkb:theatre
|
| gptkbp:historical_context |
post-war Germany
|
| gptkbp:historical_significance |
reflects 1960s avant-garde
|
| https://www.w3.org/2000/01/rdf-schema#label |
How to Explain Pictures to a Dead Hare
|
| gptkbp:impact |
artistic discourse
provoked discussion on art's meaning provoked discussion on art's role |
| gptkbp:influence |
gptkb:Fluxus_movement
gptkb:artwork environmental art German art scene |
| gptkbp:inspiration |
personal experiences
|
| gptkbp:is_a_backdrop_for |
sculptor and educator
|
| gptkbp:is_a_venue_for |
gptkb:Galerie_Schmela
|
| gptkbp:is_a_way_to |
multi-disciplinary
|
| gptkbp:is_criticized_for |
traditional art forms
societal norms commercialism in art |
| gptkbp:is_symbolic_of |
death and rebirth
|
| gptkbp:language |
art and death
|
| gptkbp:legacy |
educational initiatives
influenced performance art pioneering performance art influenced contemporary performance art |
| gptkbp:location |
gptkb:Galerie_Schmela
gptkb:Düsseldorf |
| gptkbp:main_character |
shamanistic figure
|
| gptkbp:material |
honey and gold leaf
|
| gptkbp:medium |
gptkb:artwork
|
| gptkbp:message |
art as healing
|
| gptkbp:narrative_style |
personal experience
personal storytelling between artist and audience |
| gptkbp:notable_feature |
use of dead animal
use of animal |
| gptkbp:performance |
provocative
ritualistic solo performance 1960s avant-garde challenged perceptions of art |
| gptkbp:philosophy |
social sculpture
art as a tool for transformation |
| gptkbp:public_perception |
mixed responses
mixed emotions |
| gptkbp:purpose |
challenge perceptions
challenge traditional art |
| gptkbp:related_works |
gptkb:The_Fat_Chair
|
| gptkbp:significance |
exploration of art and perception
|
| gptkbp:sound |
gptkb:language
|
| gptkbp:stations |
controversial
|
| gptkbp:style |
gptkb:Artist
gptkb:artwork |
| gptkbp:symbolism |
dead hare
|
| gptkbp:technique |
gptkb:church
use of metaphor |
| gptkbp:theme |
gptkb:aircraft
|
| gptkbp:themes |
gptkb:existentialism
|
| gptkbp:vision |
social change through art
|
| gptkbp:wildlife |
gptkb:mythological_figure
|
| gptkbp:year |
gptkb:1965
|