|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptations
|
|
gptkbp:author
|
gptkb:Ali_Smith
|
|
gptkbp:awards
|
gptkb:Whitbread_Book_Awards
|
|
gptkbp:character_development
|
non-linear
|
|
gptkbp:cover_artist
|
gptkb:David_Pearson
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
discussed in literary studies
adapted into performances
influenced contemporary fiction
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hotel World
|
|
gptkbp:influences
|
postmodern literature
stream of consciousness
surrealism
|
|
gptkbp:isbn
|
978-0241141864
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Penny
gptkb:Martha
Lise
Sara Wilby
the ghost of Sara Wilby
|
|
gptkbp:motif
|
gptkb:displacement
gptkb:communication
travel
|
|
gptkbp:narrative
|
multiple perspectives
|
|
gptkbp:narrative_style
|
experimental
|
|
gptkbp:page_count
|
224
|
|
gptkbp:published_year
|
gptkb:2001
|
|
gptkbp:publisher
|
gptkb:Hamish_Hamilton
|
|
gptkbp:reader_demographic
|
widely read
analyzed in academic papers
discussed in book clubs
|
|
gptkbp:related_works
|
gptkb:There_But_For_The
How to Be Both
The Accidental
|
|
gptkbp:setting
|
gptkb:London
gptkb:Scotland
gptkb:Hotel
|
|
gptkbp:style
|
lyrical
introspective
fragmented
|
|
gptkbp:symbolism
|
ghosts as memories
hotel as a liminal space
rooms as identities
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:loss
gptkb:identity
gptkb:memory
gptkb:feminism
social commentary
|
|
gptkbp:bfsParent
|
gptkb:Ali_Smith
|
|
gptkbp:bfsLayer
|
4
|