Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poet
|
| gptkbp:adaptation |
gptkb:musical_composition
gptkb:theatre |
| gptkbp:author |
gptkb:T._S._Eliot
|
| gptkbp:critical_reception |
considered a significant modernist work
|
| gptkbp:cultural_impact |
widely studied in literature courses
|
| gptkbp:famous_quote |
" This is the way the world ends"
|
| gptkbp:genre |
modernist poetry
|
| gptkbp:historical_context |
modernist movement
cultural shifts in the 1920s post-World War I disillusionment |
| https://www.w3.org/2000/01/rdf-schema#label |
Hollow Men
|
| gptkbp:influenced |
contemporary poetry
postmodern literature music and lyrics film and visual arts |
| gptkbp:influenced_by |
gptkb:World_War_I
gptkb:mythological_figure Eastern philosophy Christian existentialism |
| gptkbp:influences |
gptkb:The_Waste_Land
|
| gptkbp:language |
English
|
| gptkbp:literary_devices |
gptkb:Person
gptkb:literary_work simile symbolism imagery irony repetition allusion |
| gptkbp:notable_quote |
" We are the hollow men"
" Between the idea and the reality" " Shape without form, shade without color" " The eyes are not here" |
| gptkbp:published_by |
1925
|
| gptkbp:related_works |
gptkb:The_Love_Song_of_J._Alfred_Prufrock
gptkb:Ash_Wednesday |
| gptkbp:scholarly_analysis |
interpreted through various critical lenses
considered a precursor to postmodernism discussed in relation to existentialism examined for its historical significance explored for its psychological themes extensively analyzed in literary criticism |
| gptkbp:social_structure |
five sections
|
| gptkbp:themes |
disillusionment
despair the search for meaning spiritual emptiness the loss of faith the fragmentation of identity |
| gptkbp:bfsParent |
gptkb:Grimkin
|
| gptkbp:bfsLayer |
6
|