Statements (22)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:art
|
| gptkbp:criticizedFor |
art historians
|
| gptkbp:discusses |
use of camera obscura
use of camera lucida use of curved mirrors |
| gptkbp:focusesOn |
use of optical aids in art
|
| gptkbp:proposedBy |
gptkb:Charles_M._Falco
gptkb:David_Hockney |
| gptkbp:publishedIn |
gptkb:Journal_of_the_Optical_Society_of_America_A
|
| gptkbp:relatedTo |
gptkb:Jan_van_Eyck
gptkb:Vermeer gptkb:Caravaggio Renaissance art |
| gptkbp:requires |
Old Masters used optical devices in their paintings
|
| gptkbp:subjectOf |
book: Secret Knowledge
debate in art history |
| gptkbp:supportedBy |
some physicists
|
| gptkbp:yearProposed |
2001
|
| gptkbp:bfsParent |
gptkb:Camera_Lucida
gptkb:Secret_Knowledge:_Rediscovering_the_Lost_Techniques_of_the_Old_Masters |
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Hockney–Falco thesis
|