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gptkbp:instanceOf
|
film
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|
gptkbp:awards
|
Best_Director_at_Cannes
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|
gptkbp:boxOffice
|
moderate success
|
|
gptkbp:cinematographyBy
|
gptkb:Sacha_Vierny
|
|
gptkbp:criticalReception
|
acclaimed by critics
|
|
gptkbp:culturalImpact
|
considered a classic
studied in film schools
|
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gptkbp:depicts
|
gptkb:post-war_Japan
atomic bomb aftermath
French_perspective
|
|
gptkbp:directedBy
|
gptkb:Alain_Resnais
|
|
gptkbp:distributor
|
gptkb:Argos_Films
|
|
gptkbp:editedBy
|
gptkb:Alain_Resnais
|
|
gptkbp:filmingLocation
|
gptkb:Alain_Resnais
|
|
gptkbp:genre
|
romantic drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hiroshima Mon Amour
|
|
gptkbp:influenced
|
gptkb:French_New_Wave
avant-garde cinema
documentary filmmaking
subsequent filmmakers
narrative cinema
art cinema
|
|
gptkbp:influencedBy
|
gptkb:Italian_neorealism
|
|
gptkbp:language
|
French
Japanese
|
|
gptkbp:musicBy
|
gptkb:Georges_Delerue
|
|
gptkbp:narrativeStyle
|
poetic
experimental
fragmented
|
|
gptkbp:notableFeature
|
the final scene
the opening sequence
|
|
gptkbp:notableFor
|
sound design
symbolism
cinematic techniques
visual storytelling
thematic depth
exploration of memory
use of flashbacks
post-war themes
non-linear_narrative
|
|
gptkbp:premieredOn
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:producedBy
|
gptkb:Anatole_Dauman
|
|
gptkbp:releaseYear
|
1959
|
|
gptkbp:screenplayBy
|
gptkb:Marguerite_Duras
|
|
gptkbp:setIn
|
gptkb:Hiroshima
|
|
gptkbp:starring
|
gptkb:Eiji_Okada
gptkb:Emmanuelle_Riva
|
|
gptkbp:theme
|
trauma
cultural memory
love and loss
|
|
gptkbp:wrote
|
gptkb:Marguerite_Duras
|