Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:fashion_designer
|
| gptkbp:awardReceived |
gptkb:Olivier_Award_for_Best_Set_Design
|
| gptkbp:birthPlace |
gptkb:Stuttgart
|
| gptkbp:birthYear |
1951
|
| https://www.w3.org/2000/01/rdf-schema#label |
Hildegard Bechtler
|
| gptkbp:nationality |
gptkb:German
|
| gptkbp:notableWork |
set design for 'The Turn of the Screw' (Glyndebourne)
set design for 'The Death of Klinghoffer' (English National Opera) set design for 'The Duchess of Malfi' (Almeida Theatre) set design for 'The Master Builder' (Almeida Theatre) set design for 'The Cherry Orchard' (National Theatre) set design for 'The Marriage of Figaro' (Royal Opera House) set design for 'After the Dance' set design for 'Anna Nicole' set design for 'Anna Nicole' (Royal Opera House) set design for 'Carmen' set design for 'Don Giovanni' set design for 'Elektra' set design for 'Othello' set design for 'Othello' (National Theatre) set design for 'The Cherry Orchard' set design for 'The Crucible' set design for 'The Crucible' (Old Vic) set design for 'The Death of Klinghoffer' set design for 'The Duchess of Malfi' set design for 'The Importance of Being Earnest' set design for 'The Magic Flute' set design for 'The Magic Flute' (Glyndebourne) set design for 'The Marriage of Figaro' set design for 'The Master Builder' set design for 'The Minotaur' set design for 'The Minotaur' (Royal Opera House) set design for 'The Seagull' set design for 'The Seagull' (National Theatre) set design for 'The Tempest' set design for 'The Tempest' (Royal Opera House) set design for 'The Turn of the Screw' set design for 'Theodora' set design for 'Theodora' (Glyndebourne) set design for 'Uncle Vanya' set design for 'Uncle Vanya' (Almeida Theatre) set design for 'After the Dance' (National Theatre) |
| gptkbp:occupation |
gptkb:fashion_designer
|
| gptkbp:residence |
gptkb:London
|
| gptkbp:spouse |
Richard Hudson
|
| gptkbp:bfsParent |
gptkb:The_Cellist
|
| gptkbp:bfsLayer |
5
|