|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:based_on
|
gptkb:High_Noon_(1952_film)
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:character
|
gptkb:Field_Marshal
gptkb:Will_Kane
gptkb:Frank_Miller
gptkb:Amy_Kane
Town Marshal
|
|
gptkbp:cinematography
|
gptkb:Michael_J._O'_Connor
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
American Western genre
|
|
gptkbp:director
|
gptkb:John_Hancock
|
|
gptkbp:distributor
|
gptkb:Lionsgate
|
|
gptkbp:editing
|
Michael J. Duthie
|
|
gptkbp:filming_location
|
gptkb:New_Mexico
|
|
gptkbp:genre
|
Western
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|
https://www.w3.org/2000/01/rdf-schema#label
|
High Noon (2014 film)
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|
gptkbp:influenced_by
|
gptkb:High_Noon_(1952_film)
|
|
gptkbp:inspired_by
|
gptkb:High_Noon_(1952_film)
|
|
gptkbp:language
|
English
|
|
gptkbp:music_composer
|
gptkb:David_Shire
|
|
gptkbp:notable_quote
|
' I won't be there.'
' I have to face him alone.'
' It's not just a job, it's a duty.'
' The town needs a hero.'
' You can't be a coward and a hero.'
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Lionsgate
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
gptkb:2014
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay
|
gptkb:Carl_Foreman
|
|
gptkbp:sequel
|
High Noon: The Return
|
|
gptkbp:starring
|
gptkb:Elizabeth_Mc_Govern
gptkb:Kris_Kristofferson_Jr.
gptkb:Tom_Skerritt
|
|
gptkbp:theme
|
gptkb:Isolation
gptkb:Justice
gptkb:Courage
Morality
|
|
gptkbp:writer
|
gptkb:Carl_Foreman
|
|
gptkbp:bfsParent
|
gptkb:High_Noon_(2012_film)
|
|
gptkbp:bfsLayer
|
6
|