|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cinematography_by
|
gptkb:Larry_Pizer
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
examined voyeurism
explored media influence
reflected 1970s counterculture
|
|
gptkbp:director
|
gptkb:Brian_De_Palma
|
|
gptkbp:distributor
|
gptkb:Cinerama_Releasing_Corporation
|
|
gptkbp:edited_by
|
gptkb:Paul_Hirsch
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:drama
|
|
gptkbp:has_cameo
|
gptkb:Robert_De_Niro
gptkb:Paul_Williams
gptkb:Charles_Durning
gptkb:Brian_De_Palma
gptkb:Judy_Balaban
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hi, Mom!
|
|
gptkbp:influenced
|
gptkb:cinema
satirical films
later filmmakers
|
|
gptkbp:influenced_by
|
gptkb:Martin_Scorsese
gptkb:John_Cassavetes
gptkb:Andy_Warhol
gptkb:Woody_Allen
gptkb:Francis_Ford_Coppola
gptkb:French_New_Wave
gptkb:George_Lucas
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
cult film status
|
|
gptkbp:music_by
|
gptkb:Paul_Williams
|
|
gptkbp:notable_for
|
Robert De Niro's early role
|
|
gptkbp:notable_scene
|
the party scene
the ending scene
the window scene
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
1970-01-01
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Brian_De_Palma
|
|
gptkbp:starring
|
gptkb:Robert_De_Niro
gptkb:Charles_Durning
gptkb:Judy_Balaban
|
|
gptkbp:themes
|
gptkb:identity
social commentary
family dynamics
|
|
gptkbp:bfsParent
|
gptkb:Brian_De_Palma
|
|
gptkbp:bfsLayer
|
4
|