|
gptkbp:instance_of
|
gptkb:Author
gptkb:playwright
gptkb:Novelist
|
|
gptkbp:associated_act
|
gptkb:Burgtheater
Deutsches Theater
|
|
gptkbp:award
|
Honorary Doctorate from the University of Berlin
|
|
gptkbp:birth_date
|
1857-09-30
|
|
gptkbp:birth_place
|
Märkisch Friedland
|
|
gptkbp:born_in
|
1867
|
|
gptkbp:child
|
Hermann Sudermann Jr.
|
|
gptkbp:death_date
|
1928-11-21
|
|
gptkbp:died_in
|
1928
|
|
gptkbp:genre
|
gptkb:novel
gptkb:drama
|
|
gptkbp:has_impact_on
|
German literature
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hermann Sudermann
|
|
gptkbp:influenced
|
gptkb:Max_Reinhardt
|
|
gptkbp:influenced_by
|
gptkb:Goethe
gptkb:Henrik_Ibsen
|
|
gptkbp:is_a_member_of
|
gptkb:Prussian_Academy_of_Arts
|
|
gptkbp:is_active_in
|
the early 20th century
the late 19th century
|
|
gptkbp:is_associated_with
|
Naturalism
the German literary movement
|
|
gptkbp:is_remembered_for
|
his novels
his contributions to drama
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:nationality
|
gptkb:German
|
|
gptkbp:notable_work
|
gptkb:The_Song_of_Songs
gptkb:The_Devil's_Wall
gptkb:The_Last_of_Mrs._Cheyney
gptkb:The_Love_of_Four_Colonels
gptkb:The_Man_Who_Knew_Too_Much
gptkb:The_Woman_of_No_Importance
The Easiest Way
|
|
gptkbp:occupation
|
gptkb:drama
gptkb:Writer
|
|
gptkbp:place_of_death
|
gptkb:Berlin
|
|
gptkbp:received
|
Honorary Doctorate from the University of Berlin
|
|
gptkbp:resting_place
|
gptkb:Friedrichsfelde_Cemetery
|
|
gptkbp:spouse
|
Marie Sudermann
|
|
gptkbp:was_a
|
gptkb:playwright
gptkb:Novelist
|
|
gptkbp:was_influenced_by
|
gptkb:Leo_Tolstoy
gptkb:Henrik_Ibsen
|
|
gptkbp:was_known_for
|
social themes in literature
|
|
gptkbp:work_period
|
1880
1928
|
|
gptkbp:wrote
|
gptkb:The_Song_of_Songs
gptkb:The_Devil's_Advocate
gptkb:The_Last_of_the_Old_Masters
gptkb:The_Homecoming
gptkb:The_Great_God_Pan
The Woman of the World
The Man Who Was Right
The Unmarried
|
|
gptkbp:bfsParent
|
gptkb:The_Awakening
|
|
gptkbp:bfsLayer
|
5
|