Statements (66)
Predicate | Object |
---|---|
gptkbp:instanceOf |
gptkb:Poet
|
gptkbp:activeYears |
1880-1924
|
gptkbp:adaptation |
The Good Hope (film)
|
gptkbp:associatedAct |
Theater
|
gptkbp:awards |
gptkb:Dutch_State_Prize_for_Literature
|
gptkbp:born |
April 3, 1864
|
gptkbp:children |
Herman_Heijermans_III
|
gptkbp:contribution |
Dutch_literature
|
gptkbp:culturalImpact |
Dutch_cultural_history
|
gptkbp:died |
January 22, 1924
|
gptkbp:famousFor |
socially critical plays
|
gptkbp:filmography |
Het_Toneel
|
gptkbp:genre |
drama
|
https://www.w3.org/2000/01/rdf-schema#label |
Herman Heijermans Jr.
|
gptkbp:influenced |
gptkb:Dutch_theatre
actors social realism playwrights theater critics cultural commentators theater directors |
gptkbp:influencedBy |
Henrik Ibsen
|
gptkbp:inspiration |
Theater makers
|
gptkbp:language |
Dutch
|
gptkbp:legacy |
influence_on_modern_Dutch_drama
|
gptkbp:nationality |
Dutch
|
gptkbp:notableFeature |
alienation
cultural heritage existentialism social issues social justice human rights identity personal relationships artistic expression class struggle cultural identity moral ambiguity redemption freedom of expression moral dilemmas societal norms love and sacrifice gender roles personal freedom family dynamics political critique cultural conflict economic disparity human condition community and belonging hope and despair tradition vs modernity individual vs society theatre as a mirror of society |
gptkbp:notablePlayer |
The New World
The Taming of the Shrew The Good Hope |
gptkbp:notableWork |
The New World
The Taming of the Shrew The Good Hope |
gptkbp:occupation |
playwright
|
gptkbp:placeOfBirth |
gptkb:Amsterdam
|
gptkbp:placeOfDeath |
gptkb:Amsterdam
|
gptkbp:spouse |
Marie_Heijermans
|
gptkbp:style |
naturalism
|