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gptkbp:instance_of
|
gptkb:play
gptkb:players
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:musical_adaptation
gptkb:ballet
gptkb:novel_adaptations
gptkb:radio_station
gptkb:opera
gptkb:theater
gptkb:television
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:ballet
gptkb:opera
gptkb:theater
gptkb:film
gptkb:theater_productions
numerous films
|
|
gptkbp:adapted_into
|
gptkb:Films
Television Shows
Operas
|
|
gptkbp:appears_in
|
gptkb:Hedda_Gabler_(film)
|
|
gptkbp:character
|
gptkb:Judge_Brack
gptkb:Ejlert_Løvborg
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
gptkb:Mrs._Elvsted
gptkb:Ejlert_Lövborg
gptkb:Berta
Berthe
Aunt Julle
Hedda's childhood friend
Hedda's confidant
Hedda's father
Hedda's former lover
Hedda's rival
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gptkbp:character_arc
|
Tragic
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gptkbp:characteristic
|
Ejlert as a tragic figure
Hedda as a complex anti-heroine
Jørgen as a representation of mediocrity
Thea as a foil to Hedda
Ejlert Løvborg is troubled
Hedda Gabler is complex
Hedda Gabler is manipulative
Hedda Gabler is tragic
Jørgen Tesman is ambitious
Thea Elvsted is nurturing
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|
gptkbp:characters
|
gptkb:Judge_Brack
gptkb:Ejlert_Løvborg
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
Aunt Julle
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gptkbp:climax
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Hedda's final act
Ejlert's death
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gptkbp:conflict
|
internal conflict
societal norms
External
personal desires
Societal expectations
Personal desires
external conflict
Hedda vs. Ejlert Løvborg
Hedda vs. Jørgen Tesman
Hedda vs. her own desires
Hedda vs. societal expectations
Hedda vs. her husband
Hedda vs. societal norms
Hedda vs. herself
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gptkbp:created_by
|
gptkb:Henrik_Ibsen
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gptkbp:critical_reception
|
controversial
widely acclaimed
widely performed
widely studied
considered a classic
performed frequently
controversial at the time of release
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|
gptkbp:cultural_impact
|
gptkb:Significant
performed worldwide
influenced feminist literature
influenced literature
influenced art
influenced film
influenced theater
studied in literature courses
inspired feminist readings
adapted into various media
adapted into various languages
inspired theatrical interpretations
influenced feminist movements
considered a classic of theatre
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gptkbp:demands
|
gptkb:Control
gptkb:Freedom
|
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gptkbp:fate
|
Tragic end
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gptkbp:first_appearance
|
Hedda Gabler (play)
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gptkbp:first_performance
|
1891
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gptkbp:gender
|
gptkb:Female
|
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gptkbp:genre
|
gptkb:tragedy
|
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gptkbp:has_conflict_with
|
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
gptkb:Ejlert_Lövborg
gptkb:society
her husband
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gptkbp:has_role
|
gptkb:protagonist
gptkb:antagonist
|
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gptkbp:hedda's_character_arc
|
tragic
|
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gptkbp:hedda's_character_complexity
|
multi-dimensional
|
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gptkbp:hedda's_character_study
|
rich
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gptkbp:hedda's_conflict
|
societal expectations
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gptkbp:hedda's_confrontation_with_ejlert
|
revealing her past
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gptkbp:hedda's_desire_for_control
|
over her life
|
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gptkbp:hedda's_emotional_isolation
|
palpable
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gptkbp:hedda's_emotional_state
|
restless
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gptkbp:hedda's_emotional_turmoil
|
central to plot
|
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gptkbp:hedda's_existential_crisis
|
central theme
|
|
gptkbp:hedda's_existential_themes
|
prominent
|
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gptkbp:hedda's_final_act
|
taking her own life
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|
gptkbp:hedda's_final_act_of_defiance
|
suicide
|
|
gptkbp:hedda's_final_decision
|
controversial
|
|
gptkbp:hedda's_final_scene
|
dramatic
|
|
gptkbp:hedda's_final_words
|
symbolic
|
|
gptkbp:hedda's_former_lover
|
gptkb:Ejlert_Løvborg
|
|
gptkbp:hedda's_friend
|
gptkb:Thea_Elvsted
|
|
gptkbp:hedda's_husband
|
gptkb:Jørgen_Tesman
|
|
gptkbp:hedda's_impact_on_audiences
|
lasting
|
|
gptkbp:hedda's_impact_on_literature
|
gptkb:significant
|
|
gptkbp:hedda's_influence
|
modern drama
|
|
gptkbp:hedda's_influence_on_feminism
|
notable
|
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gptkbp:hedda's_legacy
|
feminist interpretation
|
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gptkbp:hedda's_legacy_in_theater
|
enduring
|
|
gptkbp:hedda's_manipulation
|
others' lives
|
|
gptkbp:hedda's_motivation_for_suicide
|
despair
|
|
gptkbp:hedda's_perception_of_freedom
|
illusionary
|
|
gptkbp:hedda's_psychological_conflict
|
intense
|
|
gptkbp:hedda's_psychological_depth
|
explored
|
|
gptkbp:hedda's_relationship_with_ambition
|
destructive
|
|
gptkbp:hedda's_relationship_with_fate
|
confrontational
|
|
gptkbp:hedda's_relationship_with_her_father
|
General Gabler
|
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gptkbp:hedda's_relationship_with_her_home
|
gptkb:oppressive
|
|
gptkbp:hedda's_relationship_with_her_identity
|
conflicted
|
|
gptkbp:hedda's_relationship_with_jørgen
|
strained
|
|
gptkbp:hedda's_relationship_with_legacy
|
complicated
|
|
gptkbp:hedda's_relationship_with_power
|
ambiguous
|
|
gptkbp:hedda's_relationship_with_thea
|
competitive
|
|
gptkbp:hedda's_role_in_ibsen's_works
|
pivotal
|
|
gptkbp:hedda's_societal_commentary
|
profound
|
|
gptkbp:hedda's_societal_constraints
|
gptkb:oppressive
|
|
gptkbp:hedda's_societal_critique
|
implicit
|
|
gptkbp:hedda's_societal_rebellion
|
subtle
|
|
gptkbp:hedda's_societal_role
|
limited
|
|
gptkbp:hedda's_struggle
|
personal freedom
|
|
gptkbp:hedda's_struggle_for_autonomy
|
unfulfilled
|
|
gptkbp:hedda's_suicide_method
|
gunshot
|
|
gptkbp:hedda's_tragic_flaw
|
inability to adapt
|
|
gptkbp:hedda's_view_on_life
|
cynical
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gptkbp:hedda's_view_on_marriage
|
restrictive
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hedda Gabler
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gptkbp:influence
|
gptkb:existentialism
gptkb:theatre_of_the_absurd
gptkb:feminism
Feminist literature
feminist literature
modern drama
modernist literature
psychological drama
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|
gptkbp:influence_on
|
Modern drama
|
|
gptkbp:influenced_by
|
realism
|
|
gptkbp:inspiration
|
gptkb:existentialism
feminist literature
feminist movements
psychological drama
19th-century societal norms
Henrik Ibsen's own life experiences
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gptkbp:is_associated_with
|
Themes of Gender Roles
Themes of Despair
Themes of Manipulation
Themes of Existentialism
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gptkbp:is_considered_as
|
A Complex Character
A Tragic Heroine
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|
gptkbp:is_criticized_for
|
Her Relationships
Her Actions
|
|
gptkbp:is_described_as
|
Cynical
Trapped
Strong-willed
|
|
gptkbp:is_explored_in
|
gptkb:Cultural_Studies
gptkb:Adaptations
gptkb:performance_art
Feminist Theory
Literary Criticism
Theatrical Productions
Modern Interpretations
Theatrical Reviews
Psychological Analysis
|
|
gptkbp:is_influenced_by
|
gptkb:Realism
Naturalism
|
|
gptkbp:is_known_for
|
Manipulation
|
|
gptkbp:is_motivated_by
|
gptkb:Control
Boredom
control
boredom
desire for control
to influence others
fear of scandal
to achieve freedom
to avoid boredom
to challenge traditional gender roles
to control her own life
to escape societal expectations
to find fulfillment
to manipulate her surroundings
to seek excitement
fear of boredom
|
|
gptkbp:is_part_of
|
gptkb:play
|
|
gptkbp:is_portrayed_as
|
Various Actresses
|
|
gptkbp:is_set_in
|
gptkb:Norway
The 19th Century
|
|
gptkbp:is_symbolic_of
|
gptkb:Isolation
Desire for Power
Female Rebellion
Societal Constraints
|
|
gptkbp:language
|
gptkb:Norwegian
|
|
gptkbp:legacy
|
influenced playwrights
analyzed in academic studies
performed in major theaters
considered a classic of Western literature
|
|
gptkbp:main_character
|
gptkb:Ejlert_Løvborg
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
gptkb:Hedda_Gabler
|
|
gptkbp:mood
|
Internal
|
|
gptkbp:motif
|
gptkb:identity
manipulation
power dynamics
control
illusion vs. reality
despair
|
|
gptkbp:nationality
|
gptkb:Norwegian
|
|
gptkbp:notable_production
|
gptkb:The_National_Theatre_of_Norway
gptkb:The_Goodman_Theatre
gptkb:The_Gate_Theatre
gptkb:The_Melbourne_Theatre_Company
gptkb:Royal_Dramatic_Theatre
gptkb:The_Abbey_Theatre
gptkb:The_Lyric_Hammersmith
gptkb:The_Old_Vic
gptkb:The_Malthouse_Theatre
gptkb:The_Royal_Court_Theatre
gptkb:The_Royal_Exchange_Theatre
gptkb:Stratford_Festival
gptkb:The_Sydney_Theatre_Company
gptkb:The_Donmar_Warehouse
gptkb:The_Chichester_Festival_Theatre
gptkb:The_Edinburgh_Festival
gptkb:Burgtheater
gptkb:theater
gptkb:The_Young_Vic
|
|
gptkbp:notable_quote
|
" I am not a coward!"
" I want to be free!"
" I am not going to be a mother."
" People are so afraid of what they don't know."
" I want for once in my life to be able to say: I have done this!"
" I am not going to be a mother!"
" I want to be able to choose!"
" I want to control my own life!"
" I want for once in my life to be able to say: I have done something!"
" I have no talent for life."
" People are so afraid of the truth."
" I want for once in my life to be able to say: I have done something of my own."
|
|
gptkbp:occupation
|
gptkb:socialite
|
|
gptkbp:original_language
|
gptkb:Norwegian
|
|
gptkbp:performance
|
frequently performed
performed in theaters worldwide
performed in multiple languages
adapted for various cultures
|
|
gptkbp:performance_style
|
naturalism
realism
|
|
gptkbp:portrayed_by
|
gptkb:Ruth_Wilson
various actresses
|
|
gptkbp:portrayed_in
|
Various adaptations
|
|
gptkbp:premiere_location
|
gptkb:Berlin
Bjørnsonhuset, Oslo
|
|
gptkbp:psychological_complexity
|
gptkb:High
|
|
gptkbp:published_in
|
1890
|
|
gptkbp:relationship_with
|
gptkb:Ejlert_Løvborg
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
|
|
gptkbp:resolution
|
tragic ending
Hedda's suicide
|
|
gptkbp:role
|
gptkb:Judge_Brack
gptkb:Ejlert_Løvborg
gptkb:Jørgen_Tesman
gptkb:Thea_Elvsted
gptkb:Hedda_Gabler
gptkb:Berta
Aunt Julle
|
|
gptkbp:setting
|
gptkb:Christiania_(Oslo)
gptkb:Christiania
gptkb:Norway
19th century Norway
|
|
gptkbp:spouse
|
gptkb:Jørgen_Tesman
|
|
gptkbp:style
|
naturalism
|
|
gptkbp:symbolism
|
the window
pistols
the house
the manuscript
the dance
the pistols
|
|
gptkbp:symbolizes
|
gptkb:oppression
Desire for independence
Repression
feminine struggle
|
|
gptkbp:thematic_element
|
gptkb:power
gptkb:Isolation
gptkb:Ambition
gptkb:identity
Existentialism
Regret
Societal norms
Desire for power
Conflict between desire and duty
|
|
gptkbp:theme
|
gptkb:Freedom
gptkb:Despair
Manipulation
freedom
suicide
manipulation
societal expectations
gender roles
despair
freedom and confinement
desire and despair
|
|
gptkbp:themes
|
freedom
manipulation
societal expectations
despair
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:writings
|
gptkb:common
Extensive
|
|
gptkbp:written_by
|
gptkb:Henrik_Ibsen
|
|
gptkbp:bfsParent
|
gptkb:Dame_Helen_Mirren
gptkb:Helen_Mirren
gptkb:Dame_Judi_Dench
gptkb:Henrik_Ibsen
gptkb:Patti_Lu_Pone
|
|
gptkbp:bfsLayer
|
4
|