|
gptkbp:instance_of
|
gptkb:basketball_team
gptkb:film
|
|
gptkbp:awards
|
Nominated for Academy Awards
|
|
gptkbp:based_on
|
true events
a true story
The true story of a bank robber
|
|
gptkbp:box_office
|
$67 million
$187 million
$187.4 million
|
|
gptkbp:budget
|
$60 million
$35 million
|
|
gptkbp:championships_won
|
gptkb:3
|
|
gptkbp:character
|
gptkb:Detective_Jack_W._Mc_Cauley
gptkb:Detective_Lieutenant_Catherine
gptkb:Detective_Lieutenant_Chris_Shiherlis
gptkb:Detective_Lieutenant_Jack_W._Mc_Cauley
gptkb:Detective_Lieutenant_Justine_Hanna
gptkb:Detective_Lieutenant_Mike_Gaffney
gptkb:Detective_Lieutenant_Trejo
gptkb:Detective_Lieutenant_Vincent_Hanna
gptkb:Detective_Lieutenant_Waingro
gptkb:Detective_Mike_Gaffney
gptkb:Detective_Sergeant_Chris_Shiherlis
gptkb:Catherine
gptkb:Chris_Shiherlis
gptkb:Detective_Bosko
gptkb:Waingro
gptkb:Alfredo_Garcia
gptkb:Neil_Mc_Cauley
gptkb:Vincent_Hanna
gptkb:Nate
gptkb:Sergeant
Justine Hanna
Eady
Detective Lieutenant Nate
Trejo
|
|
gptkbp:cinematography
|
gptkb:Dante_Spinotti
|
|
gptkbp:cinematography_by
|
gptkb:Dante_Spinotti
|
|
gptkbp:conference
|
gptkb:6
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cult_status
|
gptkb:True
gptkb:true
|
|
gptkbp:directed_by
|
gptkb:Michael_Mann
|
|
gptkbp:director
|
gptkb:Michael_Mann
|
|
gptkbp:divisions
|
gptkb:3
|
|
gptkbp:edited_by
|
gptkb:William_Goldenberg
gptkb:Harry_Yoon
|
|
gptkbp:editing
|
Paul Rubell
|
|
gptkbp:features
|
gptkb:heist
police procedural
|
|
gptkbp:film_editing
|
Paul Rubell
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
8.2
|
|
gptkbp:film_technique
|
gptkb:narrative_structure
gptkb:moral_ambiguity
realism
symbolism
character arcs
action sequences
emotional resonance
thematic exploration
color grading
psychological depth
long takes
emphasis on realism
wide shots
character-driven storytelling
thematic depth
use of practical effects
suspenseful pacing
thematic complexity
nighttime scenes
intense close-ups
dynamic camera movement
emotional stakes
visual motifs
emphasis on dialogue
high contrast lighting
use of sound design
character-driven action
layered narrative
|
|
gptkbp:filming_location
|
gptkb:Chicago,_Illinois
gptkb:Los_Angeles,_California
|
|
gptkbp:founded
|
gptkb:1988
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:drama
gptkb:thriller
gptkb:crime
|
|
gptkbp:has_assists
|
gptkb:19
|
|
gptkbp:has_awards
|
Nominated for 2 Academy Awards
Nominated for 1 BAFTA Award
Nominated for 1 Golden Globe Award
|
|
gptkbp:has_sequel
|
gptkb:None
gptkb:Heat_2
|
|
gptkbp:has_themes
|
the duality of man
loyalty and betrayal
crime and morality
the impact of violence
the nature of obsession
|
|
gptkbp:home_arena
|
gptkb:FTX_Arena
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Heat
|
|
gptkbp:influenced_by
|
The French film ' Le Cercle Rouge'
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Miami,_Florida
|
|
gptkbp:mascot
|
gptkb:Burnie
|
|
gptkbp:metacritic_score
|
87%
|
|
gptkbp:music_by
|
gptkb:Elliot_Goldenthal
|
|
gptkbp:music_composer
|
gptkb:Elliot_Goldenthal
|
|
gptkbp:notable_for
|
gptkb:Character_development
The diner scene
the diner scene
the character development
the bank heist scene
Heist sequences
|
|
gptkbp:notable_player
|
gptkb:Chris_Bosh
gptkb:Dwyane_Wade
gptkb:Le_Bron_James
|
|
gptkbp:notable_quote
|
" I say what I mean, and I do what I say."
" The action is the juice."
" You can get killed walking your doggie."
|
|
gptkbp:notable_rivalry
|
gptkb:Boston_Celtics
|
|
gptkbp:release_date
|
gptkb:1988
December 15, 1995
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released_in
|
gptkb:1995
|
|
gptkbp:released_on
|
December 15, 1995
|
|
gptkbp:runtime
|
170 minutes
|
|
gptkbp:screenplay
|
gptkb:Michael_Mann
|
|
gptkbp:screenplay_by
|
gptkb:Michael_Mann
|
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
|
gptkbp:starring
|
gptkb:Al_Pacino
gptkb:Val_Kilmer
gptkb:Robert_De_Niro
gptkb:Tom_Sizemore
gptkb:Ashley_Judd
|
|
gptkbp:team_colors
|
Red, Black, White
|
|
gptkbp:bfsParent
|
gptkb:Beyonce
|
|
gptkbp:bfsLayer
|
3
|